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Concerning Violence

Göran Hugo Olsson / Sweden - United States - Denmark - Finland / 2014 / 85 ' / English - Swedish - French - Portuguese / S.T. English

Credits

Michael Aaglund, Dino Jonsäter, Göran Hugo Olsson & Sophie Vukovic
Neo Muyanga
Annika Rogell, Tobias Janson, Joslyn Barnes, Danny Glover, Monica Hellström, Miia Haavisto, Otto Fagerstedt & Ingemar Persson
Story AB
Louverture Films
Final Cut for Real
Helsinki-filmi
Art Director: Stefania Malmsten
Assistant Director: Sophie Vukovic
Sound Design: Micke Nyström
Narration: Ms. Lauryn Hill
Based on: Frantz Fanon’s The Wretched of the Earth

Awards & Festivals

Winner, Cinema Fairbindet Prize, Berlin International Film festival, 2014
Official Selection, Panorama Section, Berlin 64th International Film Festival, 2014
Official Selection, Hot Docs Film festival, Toronto, 2014
Official Selection, World Cinema Documentary Competition, Sundance Film Festival, 2014
Nominated, Dragon Award Best Nordic Documentary, Gothenburg International Film Festival, Sweden, 2014
Nominated, Golden Firebird Award, Hong Kong International Film Festival, 2014
Nominated, Viktor Award, Munich International Documentary Festival, 2014
Nominated, Special Jury Award, Sheffield International Documentary Festival, 2014
Nominated, Grand Jury Prize, World Cinema - Documentary, Sundance Film Festival 2014

Upcoming Screenings

Stay tuned for upcoming screenings!

In Production

A powerful, retrospective exploration of African liberation struggles via Frantz Fanon's text The Wretched of the Earth.

Synopsis

CONCERNING VIOLENCE is both an archive-driven documentary covering the most daring moments in the
struggle for liberation in the Third World, as well as an exploration into the mechanisms of decolonization
through text from Frantz Fanon’s The Wretched of the Earth. Fanon’s landmark book, written over 50 years
ago, is still a major tool for understanding and illuminating the neocolonialism happening today, as well as the
violence and reactions against it.

In the middle of the Cold War, radical Swedish filmmakers set out to capture the anti-imperialist liberation
movements in Africa first hand. With their 16mm footage, found in the Swedish Television archives,
filmmaker Göran Hugo Olsson draws on his experience making The Black Power Mixtape (2011) to create a
visual narrative from Africa - images of the pursuit of freedom, the Cold War and Sweden. Swedish
filmmakers, with their sense of solidarity with anti-imperial and socialist struggles around the world at the
time, created images and stories which still resonate today, and can change and deepen our impression of the
globalized world we live in.

The people captured by these filmmakers fought with their lives at stake, for their and others’ freedom. The unique archival footage features a nighttime raid with the MPLA in Angola, interviews with the guerrilla soldiers of FRELIMO in Mozambique, as well as with Thomas Sankara, Amílcar Cabral and other African revolutionaries. The imagery is fantastic: clear, crisp and unique films that convey a sense of urgency and dedication that was at the heart of the decolonization movements.

”National liberation, national renaissance, the restoration of nationhood to the people: whatever may be the headings used or the new formulas introduced, decolonization is always a violent phenomenon.” In pictures and interviews, as well as with a narrating voice guiding the audience through the material with the words of Frantz Fanon, Concerning Violence tells the story of the people and ideas behind one of the most urgent struggles for freedom and change in the 20th century. The organization of the film into nine chapters connects quite abstract ideas with concrete images and real people who embody and carry the story.

Crafting a form that is unique in its blend of cinematic essay and archival footage documentary, Concerning Violence re-introduces Fanon’s humanist, post-colonial vision through a cinematic journey that brings us face to face with the people for whom Fanon’s writings on decolonization were not just rhetoric, but a reality.

In layering Fanon’s text with archive footage, graphic design and music in a contemporary tone, filmmaker Göran Hugo Olsson presents a new generation of audiences with a re-examination of the machinery of colonialism that is at the root of much of the violence we see breaking out in parts of the world today.

 

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