Roadsworth: Crossing the Line details a Montreal stencil artist’s clandestine campaign to make his mark on the city streets.
Hailed as an "artist's artist" by Wooster Collective, Roadsworth began to play with the language of the streets, overlaying city asphalt markings with his own images: a crosswalk becames a giant boot print, vines choked up traffic dividers, and electrical plugs filled parking spots. Each piece begged the question, Who owns public space?
As he is prosecuted at home and celebrated abroad, Roadsworth struggles to defend his work, define himself as an artist and address difficult questions about art and freedom of expression.
ROADSWORTH CROSSING THE LINE: Over a period of three years, the stencil artist Peter Gibson, aka Roadsworth, made his mark on Montreal in the early hours of the morning by launching a self-described "attack on the streets."
Armed with spray paint and handmade stencils, he began to play with the language of the streets, overlaying city asphalt markings with his own images: a crosswalk became a giant boot print, vines choked up traffic dividers, and electrical plugs filled parking spots. Each piece begged the question, Who owns public space?
Roadsworth: Crossing the Line details the artist's prosecution at home and his travels abroad to France, London and Amsterdam, as he imprints himself legitimately (and illegitimately) on foreign streets. The film reflects Roadsworth's personal struggle to defend his work, define himself as an artist and address difficult questions about art and freedom of expression.
With Roadsworth: Crossing the Line, filmmaker Alan Kohl provides a portrait of an artist who provokes debate about the significance of art in urban spaces.
Director
Alan Kohl
Producers
Sergeo Kirby (Loaded Pictures)
Sarah Spring (Loaded Pictures)
Adam Symansky (NFB)
Hot Docs, 2009
SXSW Film Festival, 2009
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