{"version":"1.0","provider_name":"Cinema Politica","provider_url":"https:\/\/www.cinemapolitica.org\/fr\/","title":"Ng\u0101ti - Cinema Politica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"av4iI5Pj4H\"><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/ngati\/\">Ng\u0101ti<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.cinemapolitica.org\/fr\/film\/ngati\/embed\/#?secret=av4iI5Pj4H\" width=\"600\" height=\"338\" title=\"&laquo; Ng\u0101ti &raquo; &#8212; Cinema Politica\" data-secret=\"av4iI5Pj4H\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.cinemapolitica.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Ngati1.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"Un gar\u00e7on meurt d&rsquo;une leuc\u00e9mie ; un jeune m\u00e9decin australien d\u00e9couvre son propre h\u00e9ritage M\u0101ori ; les usines de cong\u00e9lation industrielle qui fournissent des emplois \u00e0 la communaut\u00e9 locale sont menac\u00e9es de fermeture. Situ\u00e9 dans et autour de la ville c\u00f4ti\u00e8re fictive de Kapua en 1948, NG\u0100TI est l&rsquo;histoire d&rsquo;une communaut\u00e9 M\u0101ori, cr\u00e9ant des liens [&hellip;]"}