{"version":"1.0","provider_name":"Cinema Politica","provider_url":"https:\/\/www.cinemapolitica.org\/fr\/","title":"Powerlands - Cinema Politica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"2Mst4i7vTb\"><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/powerlands\/\">Powerlands<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.cinemapolitica.org\/fr\/film\/powerlands\/embed\/#?secret=2Mst4i7vTb\" width=\"600\" height=\"338\" title=\"&laquo; Powerlands &raquo; &#8212; Cinema Politica\" data-secret=\"2Mst4i7vTb\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.cinemapolitica.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2022\/07\/CroppedPosterWeb.jpg","thumbnail_width":1080,"thumbnail_height":715,"description":"Ivey Camille Manybeads Tso, a young Navajo filmmaker, investigates displacement of Indigenous people and devastation of the environment caused by the same chemical companies that have exploited the land where she was born. She travels to La Guajira region in rural Colombia, the Tampakan region of the Philippines, the Tehuantepec Isthmus of Mexico, and the [&hellip;]"}