{"version":"1.0","provider_name":"Cinema Politica","provider_url":"https:\/\/www.cinemapolitica.org\/fr\/","title":"The Orator - O Le Tulafale - Cinema Politica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"z4KbPOxK6U\"><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/the-orator-o-le-tulafale\/\">The Orator &#8211; O Le Tulafale<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.cinemapolitica.org\/fr\/film\/the-orator-o-le-tulafale\/embed\/#?secret=z4KbPOxK6U\" width=\"600\" height=\"338\" title=\"&laquo; The Orator &#8211; O Le Tulafale &raquo; &#8212; Cinema Politica\" data-secret=\"z4KbPOxK6U\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.cinemapolitica.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/The-Orator-Film-Still-2-Faafiaula-Sagote-Leon-Narbey-768x543.jpg","thumbnail_width":768,"thumbnail_height":543,"description":"17 years after Vaaiga was banished from her ancestral village, three large and intimidating men, including her older brother Poto, arrive at Saili\u201fs house and forever change their quiet lives. Saili hides in his taro patch while Vaaiga, his wife, is left to confront these unexpected visitors. Poto, who is sick, demands Vaaiga, return with [&hellip;]"}