{"version":"1.0","provider_name":"Cinema Politica","provider_url":"https:\/\/www.cinemapolitica.org\/fr\/","title":"Writing with Fire - Cinema Politica","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IEZzc6LBi6\"><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/writing-with-fire\/\">Writing with Fire<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.cinemapolitica.org\/fr\/film\/writing-with-fire\/embed\/#?secret=IEZzc6LBi6\" width=\"600\" height=\"338\" title=\"&laquo; Writing with Fire &raquo; &#8212; Cinema Politica\" data-secret=\"IEZzc6LBi6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.cinemapolitica.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/11\/Writing_With_Fire_2.jpg","thumbnail_width":1280,"thumbnail_height":719,"description":"Dans un paysage m\u00e9diatique encombr\u00e9 et domin\u00e9 par les hommes, \u00e9merge le seul journal indien dirig\u00e9 par des femmes dalits. Arm\u00e9es de leur t\u00e9l\u00e9phones intelligents, la journaliste en chef Meera et ses coll\u00e8gues brisent les traditions, que ce soit en premi\u00e8re ligne des plus grands enjeux de l&rsquo;Inde ou dans les con\ufb01nes de leur maison, [&hellip;]"}