{"id":11314,"date":"2020-05-11T15:46:52","date_gmt":"2020-05-11T19:46:52","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?post_type=film&#038;p=11314"},"modified":"2022-03-11T13:47:21","modified_gmt":"2022-03-11T18:47:21","slug":"waru","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/","title":{"rendered":"Waru"},"content":{"rendered":"<p>Nine female M<span class=\"st\">\u0101<\/span>ori filmmakers contributed eight ten minute vignettes, presented as a continuous shot in real time, that unfold around the tangi (funeral) of a small boy (Waru) who died at the hands of his caregiver. The vignettes are all subtly interlinked and each follow one of eight female M\u0101ori lead characters during the same moment in time as they come to terms with Waru&rsquo;s death and try to find a way forward in their community. In M\u0101ori, waru means 8.<\/p>\n<p>From Charm, who learns to accept that she can\u2019t change the world, to a solo parent learning to listen to her children, to a young woman who hits rock bottom and realises that the only way is up, to a wahine M\u0101ori reporter who risks everything to set the story straight, the vignette take us to meet a variety of radically different women each learning to deal with grief in their own way.<\/p>\n","protected":false},"featured_media":11309,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[1249],"countries":[867],"film_categories":[1215,1197],"master_copies":[],"pricing_grid":[],"press_types":[1191],"class_list":["post-11314","film","type-film","status-publish","has-post-thumbnail","hentry","languages-maori-fr","countries-nz-fr","film_categories-autochtone-fr","film_categories-femmes-fr","press_types-critique"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Waru - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Waru - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"Nine female M\u0101ori filmmakers contributed eight ten minute vignettes, presented as a continuous shot in real time, that unfold around the tangi (funeral) of a small boy (Waru) who died at the hands of his caregiver. The vignettes are all subtly interlinked and each follow one of eight female M\u0101ori lead characters during the same [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Politica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemapolitica\" \/>\n<meta property=\"article:modified_time\" content=\"2022-03-11T18:47:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Waru9.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:label1\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/\",\"name\":\"Waru - Cinema Politica\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Waru9.jpg\",\"datePublished\":\"2020-05-11T19:46:52+00:00\",\"dateModified\":\"2022-03-11T18:47:21+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#breadcrumb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#primaryimage\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Waru9.jpg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Waru9.jpg\",\"width\":1920,\"height\":1080,\"caption\":\"Still from Waru\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Films\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/films\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Waru\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"name\":\"Cinema Politica\",\"description\":\"Screening Truth to Power\",\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\",\"name\":\"Cinema Politica\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"width\":639,\"height\":385,\"caption\":\"Cinema Politica\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/cinemapolitica\",\"https:\/\/x.com\/CinemaPolitica\",\"https:\/\/www.instagram.com\/cinema.politica\/\",\"https:\/\/www.youtube.com\/user\/CinemaPolitica\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Waru - Cinema Politica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/","og_locale":"fr_CA","og_type":"article","og_title":"Waru - Cinema Politica","og_description":"Nine female M\u0101ori filmmakers contributed eight ten minute vignettes, presented as a continuous shot in real time, that unfold around the tangi (funeral) of a small boy (Waru) who died at the hands of his caregiver. The vignettes are all subtly interlinked and each follow one of eight female M\u0101ori lead characters during the same [&hellip;]","og_url":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/","og_site_name":"Cinema Politica","article_publisher":"https:\/\/www.facebook.com\/cinemapolitica","article_modified_time":"2022-03-11T18:47:21+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Waru9.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@CinemaPolitica","twitter_misc":{"Estimation du temps de lecture":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/","url":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/","name":"Waru - Cinema Politica","isPartOf":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#primaryimage"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Waru9.jpg","datePublished":"2020-05-11T19:46:52+00:00","dateModified":"2022-03-11T18:47:21+00:00","breadcrumb":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#breadcrumb"},"inLanguage":"fr-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/"]}]},{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#primaryimage","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Waru9.jpg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Waru9.jpg","width":1920,"height":1080,"caption":"Still from Waru"},{"@type":"BreadcrumbList","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/waru\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cinemapolitica.org\/fr\/"},{"@type":"ListItem","position":2,"name":"Films","item":"https:\/\/www.cinemapolitica.org\/fr\/films\/"},{"@type":"ListItem","position":3,"name":"Waru"}]},{"@type":"WebSite","@id":"https:\/\/www.cinemapolitica.org\/fr\/#website","url":"https:\/\/www.cinemapolitica.org\/fr\/","name":"Cinema Politica","description":"Screening Truth to Power","publisher":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-CA"},{"@type":"Organization","@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization","name":"Cinema Politica","url":"https:\/\/www.cinemapolitica.org\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","width":639,"height":385,"caption":"Cinema Politica"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/cinemapolitica","https:\/\/x.com\/CinemaPolitica","https:\/\/www.instagram.com\/cinema.politica\/","https:\/\/www.youtube.com\/user\/CinemaPolitica"]}]}},"_links":{"self":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/11314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/types\/film"}],"version-history":[{"count":2,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/11314\/revisions"}],"predecessor-version":[{"id":30012,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/11314\/revisions\/30012"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media\/11309"}],"wp:attachment":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media?parent=11314"}],"wp:term":[{"taxonomy":"languages","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/languages?post=11314"},{"taxonomy":"countries","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/countries?post=11314"},{"taxonomy":"film_categories","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film_categories?post=11314"},{"taxonomy":"master_copies","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/master_copies?post=11314"},{"taxonomy":"pricing_grid","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/pricing_grid?post=11314"},{"taxonomy":"press_types","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/press_types?post=11314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}