{"id":12850,"date":"2020-05-11T12:50:47","date_gmt":"2020-05-11T16:50:47","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?post_type=film&#038;p=12850"},"modified":"2021-07-26T10:07:44","modified_gmt":"2021-07-26T14:07:44","slug":"pinkwashing-exposed-seattle-fights-back","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/","title":{"rendered":"Pinkwashing Exposed: Seattle Fights Back"},"content":{"rendered":"\n<p>\u00ab\u00a0Pinkwashing\u00a0\u00bb is a term activists have coined for when countries engaged in terrible human rights violations promote themselves as \u00ab\u00a0gay friendly\u00a0\u00bb to improve their public image. Israel is the country most famous for this strategy, having initiated it as part of a rebranding campaign in which has been engaged in for the last decade to distract from the human rights abuses it is committing against Palestinians. Made in Seattle, on Duwamish Land, PINKWASHING EXPOSED: SEATTLE FIGHTS BACK! explores how pinkwashing works and what activists are doing to fight back.<\/p>\n\n\n\n<p>In 2012, activists in the Pacific Northwestern region of the US responded to an Israeli Consulate-funded pinkwashing tour that featured gay and lesbian Israeli activists. Local queer Palestinian solidarity activists exposed the \u00ab\u00a0Rainbow Generations\u00a0\u00bb tour as pro-Israel propaganda, resulting in the cancellation of some of the events, including the tour&rsquo;s centerpiece event hosted by the City of Seattle&rsquo;s LGBT Commission. A significant backlash ensued involving the Seattle City Council and Seattle&rsquo;s leading LGBT and HIV organizations. <\/p>\n","protected":false},"featured_media":21279,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[],"countries":[1443],"film_categories":[],"master_copies":[],"pricing_grid":[],"press_types":[],"class_list":["post-12850","film","type-film","status-publish","has-post-thumbnail","hentry","countries-united-states-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pinkwashing Exposed: Seattle Fights Back - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pinkwashing Exposed: Seattle Fights Back - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"\u00ab\u00a0Pinkwashing\u00a0\u00bb is a term activists have coined for when countries engaged in terrible human rights violations promote themselves as \u00ab\u00a0gay friendly\u00a0\u00bb to improve their public image. Israel is the country most famous for this strategy, having initiated it as part of a rebranding campaign in which has been engaged in for the last decade to [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Politica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemapolitica\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-26T14:07:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/pinkwashing-exposed.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:label1\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/\",\"name\":\"Pinkwashing Exposed: Seattle Fights Back - Cinema Politica\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/pinkwashing-exposed.jpg\",\"datePublished\":\"2020-05-11T16:50:47+00:00\",\"dateModified\":\"2021-07-26T14:07:44+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#breadcrumb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#primaryimage\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/pinkwashing-exposed.jpg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/pinkwashing-exposed.jpg\",\"width\":1280,\"height\":720},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Films\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/films\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Pinkwashing Exposed: Seattle Fights Back\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"name\":\"Cinema Politica\",\"description\":\"Screening Truth to Power\",\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\",\"name\":\"Cinema Politica\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"width\":639,\"height\":385,\"caption\":\"Cinema Politica\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/cinemapolitica\",\"https:\/\/x.com\/CinemaPolitica\",\"https:\/\/www.instagram.com\/cinema.politica\/\",\"https:\/\/www.youtube.com\/user\/CinemaPolitica\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Pinkwashing Exposed: Seattle Fights Back - Cinema Politica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/","og_locale":"fr_CA","og_type":"article","og_title":"Pinkwashing Exposed: Seattle Fights Back - Cinema Politica","og_description":"\u00ab\u00a0Pinkwashing\u00a0\u00bb is a term activists have coined for when countries engaged in terrible human rights violations promote themselves as \u00ab\u00a0gay friendly\u00a0\u00bb to improve their public image. Israel is the country most famous for this strategy, having initiated it as part of a rebranding campaign in which has been engaged in for the last decade to [&hellip;]","og_url":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/","og_site_name":"Cinema Politica","article_publisher":"https:\/\/www.facebook.com\/cinemapolitica","article_modified_time":"2021-07-26T14:07:44+00:00","og_image":[{"width":1280,"height":720,"url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/pinkwashing-exposed.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@CinemaPolitica","twitter_misc":{"Estimation du temps de lecture":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/","url":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/","name":"Pinkwashing Exposed: Seattle Fights Back - Cinema Politica","isPartOf":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#primaryimage"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/pinkwashing-exposed.jpg","datePublished":"2020-05-11T16:50:47+00:00","dateModified":"2021-07-26T14:07:44+00:00","breadcrumb":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#breadcrumb"},"inLanguage":"fr-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/"]}]},{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#primaryimage","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/pinkwashing-exposed.jpg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/pinkwashing-exposed.jpg","width":1280,"height":720},{"@type":"BreadcrumbList","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/pinkwashing-exposed-seattle-fights-back\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cinemapolitica.org\/fr\/"},{"@type":"ListItem","position":2,"name":"Films","item":"https:\/\/www.cinemapolitica.org\/fr\/films\/"},{"@type":"ListItem","position":3,"name":"Pinkwashing Exposed: Seattle Fights Back"}]},{"@type":"WebSite","@id":"https:\/\/www.cinemapolitica.org\/fr\/#website","url":"https:\/\/www.cinemapolitica.org\/fr\/","name":"Cinema Politica","description":"Screening Truth to Power","publisher":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-CA"},{"@type":"Organization","@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization","name":"Cinema Politica","url":"https:\/\/www.cinemapolitica.org\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","width":639,"height":385,"caption":"Cinema Politica"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/cinemapolitica","https:\/\/x.com\/CinemaPolitica","https:\/\/www.instagram.com\/cinema.politica\/","https:\/\/www.youtube.com\/user\/CinemaPolitica"]}]}},"_links":{"self":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/12850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/types\/film"}],"version-history":[{"count":0,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/12850\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media\/21279"}],"wp:attachment":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media?parent=12850"}],"wp:term":[{"taxonomy":"languages","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/languages?post=12850"},{"taxonomy":"countries","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/countries?post=12850"},{"taxonomy":"film_categories","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film_categories?post=12850"},{"taxonomy":"master_copies","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/master_copies?post=12850"},{"taxonomy":"pricing_grid","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/pricing_grid?post=12850"},{"taxonomy":"press_types","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/press_types?post=12850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}