{"id":13087,"date":"2020-05-11T11:23:11","date_gmt":"2020-05-11T15:23:11","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?post_type=film&#038;p=13087"},"modified":"2021-07-29T13:48:20","modified_gmt":"2021-07-29T17:48:20","slug":"water-on-the-table","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/","title":{"rendered":"Water on the Table"},"content":{"rendered":"<p><strong>Water On The Table<\/strong> is a character-driven, social-issue documentary by Liz Marshall that explores Canada\u2019s relationship to its freshwater, arguably its most precious natural resource. The film asks the question: is water a commercial good like running shoes or Coca-Cola? Or, is water a human right like air?<\/p>\n<p><strong>Water On The Table<\/strong> features Maude Barlow, who is considered an \u201cinternational water-warrior\u201d for her crusade to have water declared a human right.&nbsp;&nbsp;\u201dWater must be declared a public trust and a human right that belongs to the people, the ecosystem and the future, and preserved for all time and practice in law. Clean water must be delivered as a public service, not a profitable commodity.\u201d<\/p>\n<p>The film&nbsp;intimately captures the public face of Maude Barlow as well as the unscripted woman behind the scenes. The camera shadows her life on the road in Canada and the United States over the course of a year as she leads an unrelenting schedule.&nbsp;From 2008 \u2013 2009 Barlow served as the U.N. Senior Advisor on Water to Father Miguel d\u2019Escoto Brockmann, President of the 63rd Session of the United Nations.<\/p>\n<p>But, <strong>Water On The Table<\/strong> is more than a portrait of an activist \u2026 &nbsp;It is a poetic-essay that presents several dramatic and artfully crafted debates. Barlow\u2019s opponents are giants in the world of policy and economics and they argue that water is no different than any other resource, and that the best way to protect freshwater is to privatize it. It is proposed that Canada bulk-export its water to the United States, imminently.<\/p>\n<p>Cinematic haiku-style images by Steve Cosens linger on watersheds, wetlands, rivers, estuaries, waterfalls and lakes, bridging themes and questions and elevating water beyond the political framework explored.<\/p>\n<p>While many embrace Barlow as a leader in the global water justice movement, others regard her as an alarmist and agitator. She became involved with the issue of Canada\u2019s water in the mid-1980s, when it became clear that it was to be included as a tradable good in the Canada -US Free Trade Agreement. She tried very hard to get it removed, then stayed involved in the fight for Canada\u2019s water when it was included in NAFTA as not only a good, but also as an investment.&nbsp;Water has since defined her.<\/p>\n","protected":false},"featured_media":13089,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[],"countries":[742],"film_categories":[1256,1221,1201,1204],"master_copies":[],"pricing_grid":[],"press_types":[],"class_list":["post-13087","film","type-film","status-publish","has-post-thumbnail","hentry","countries-ca-fr","film_categories-eau-fr","film_categories-environnement-fr","film_categories-mondialisation-fr","film_categories-politique-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Water on the Table - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Water on the Table - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"Water On The Table is a character-driven, social-issue documentary by Liz Marshall that explores Canada\u2019s relationship to its freshwater, arguably its most precious natural resource. The film asks the question: is water a commercial good like running shoes or Coca-Cola? Or, is water a human right like air? Water On The Table features Maude Barlow, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Politica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemapolitica\" \/>\n<meta property=\"article:modified_time\" content=\"2021-07-29T17:48:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WaterOnTheTable2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2066\" \/>\n\t<meta property=\"og:image:height\" content=\"1368\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:label1\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/\",\"name\":\"Water on the Table - Cinema Politica\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WaterOnTheTable2.jpg\",\"datePublished\":\"2020-05-11T15:23:11+00:00\",\"dateModified\":\"2021-07-29T17:48:20+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#breadcrumb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#primaryimage\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WaterOnTheTable2.jpg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WaterOnTheTable2.jpg\",\"width\":2066,\"height\":1368,\"caption\":\"Still from Water On The Table\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Films\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/films\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Water on the Table\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"name\":\"Cinema Politica\",\"description\":\"Screening Truth to Power\",\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\",\"name\":\"Cinema Politica\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"width\":639,\"height\":385,\"caption\":\"Cinema Politica\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/cinemapolitica\",\"https:\/\/x.com\/CinemaPolitica\",\"https:\/\/www.instagram.com\/cinema.politica\/\",\"https:\/\/www.youtube.com\/user\/CinemaPolitica\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Water on the Table - Cinema Politica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/","og_locale":"fr_CA","og_type":"article","og_title":"Water on the Table - Cinema Politica","og_description":"Water On The Table is a character-driven, social-issue documentary by Liz Marshall that explores Canada\u2019s relationship to its freshwater, arguably its most precious natural resource. The film asks the question: is water a commercial good like running shoes or Coca-Cola? Or, is water a human right like air? Water On The Table features Maude Barlow, [&hellip;]","og_url":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/","og_site_name":"Cinema Politica","article_publisher":"https:\/\/www.facebook.com\/cinemapolitica","article_modified_time":"2021-07-29T17:48:20+00:00","og_image":[{"width":2066,"height":1368,"url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WaterOnTheTable2.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@CinemaPolitica","twitter_misc":{"Estimation du temps de lecture":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/","url":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/","name":"Water on the Table - Cinema Politica","isPartOf":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#primaryimage"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WaterOnTheTable2.jpg","datePublished":"2020-05-11T15:23:11+00:00","dateModified":"2021-07-29T17:48:20+00:00","breadcrumb":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#breadcrumb"},"inLanguage":"fr-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/"]}]},{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#primaryimage","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WaterOnTheTable2.jpg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WaterOnTheTable2.jpg","width":2066,"height":1368,"caption":"Still from Water On The Table"},{"@type":"BreadcrumbList","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/water-on-the-table\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cinemapolitica.org\/fr\/"},{"@type":"ListItem","position":2,"name":"Films","item":"https:\/\/www.cinemapolitica.org\/fr\/films\/"},{"@type":"ListItem","position":3,"name":"Water on the Table"}]},{"@type":"WebSite","@id":"https:\/\/www.cinemapolitica.org\/fr\/#website","url":"https:\/\/www.cinemapolitica.org\/fr\/","name":"Cinema Politica","description":"Screening Truth to Power","publisher":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-CA"},{"@type":"Organization","@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization","name":"Cinema Politica","url":"https:\/\/www.cinemapolitica.org\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","width":639,"height":385,"caption":"Cinema Politica"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/cinemapolitica","https:\/\/x.com\/CinemaPolitica","https:\/\/www.instagram.com\/cinema.politica\/","https:\/\/www.youtube.com\/user\/CinemaPolitica"]}]}},"_links":{"self":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/13087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/types\/film"}],"version-history":[{"count":0,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/13087\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media\/13089"}],"wp:attachment":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media?parent=13087"}],"wp:term":[{"taxonomy":"languages","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/languages?post=13087"},{"taxonomy":"countries","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/countries?post=13087"},{"taxonomy":"film_categories","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film_categories?post=13087"},{"taxonomy":"master_copies","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/master_copies?post=13087"},{"taxonomy":"pricing_grid","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/pricing_grid?post=13087"},{"taxonomy":"press_types","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/press_types?post=13087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}