{"id":17475,"date":"2020-05-11T12:45:35","date_gmt":"2020-05-11T16:45:35","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?post_type=film&#038;p=17475"},"modified":"2021-03-10T15:16:48","modified_gmt":"2021-03-10T20:16:48","slug":"terror","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/terror\/","title":{"rendered":"(T)error"},"content":{"rendered":"<p>After working for more than 20 years as a counterterrorism informant for the FBI, Saeed \u00ab\u00a0Shariff\u00a0\u00bb Torres\u00a0has a choice to make. He can stay home to raise his son or do one last high-stakes job for the Bureau. Infiltrating terror networks and befriending suspected terrorists is <span style=\"font-size: 14px;\">Torres<\/span>\u2019s specialty. He is one of a growing number of covert operatives in America who straddle the murky line between preventing crimes and inventing them.<\/p>\n<p>Shot over the course of two years and with unprecedented behind-the-scenes access to a counterterrorism sting, <em>(T)ERROR<\/em> feels like a political spy novel set in your own hometown. A faceless character throughout, the FBI is an omnipresent force, pushing hard for results as Torres slowly closes in on his target. As secrets emerge from his past, Torres is caught between the consequences of his double life and mounting pressure from his handlers.<\/p>\n<p>Taut, stark, and controversial, <em>(T)ERROR<\/em> illuminates the fragile relationships between individual and surveillance state in modern America, and asks: Who is watching the watchers? (<a href=\"http:\/\/www.sundance.org\/projects\/t-error-322cc278-e3f5-4184-bebe-6b96e6ed3322\"><em>Sundance<\/em><\/a>)<\/p>\n","protected":false},"featured_media":17481,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[],"countries":[1443],"film_categories":[],"master_copies":[],"pricing_grid":[],"press_types":[1191],"class_list":["post-17475","film","type-film","status-publish","has-post-thumbnail","hentry","countries-united-states-fr","press_types-critique"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>(T)error - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/terror\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"(T)error - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"After working for more than 20 years as a counterterrorism informant for the FBI, Saeed \u00ab\u00a0Shariff\u00a0\u00bb Torres\u00a0has a choice to make. 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