{"id":36537,"date":"2022-10-04T16:33:39","date_gmt":"2022-10-04T20:33:39","guid":{"rendered":"https:\/\/www.cinemapolitica.org\/film\/category-woman\/"},"modified":"2023-02-17T14:03:16","modified_gmt":"2023-02-17T19:03:16","slug":"categorie-femme","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/","title":{"rendered":"Cat\u00e9gorie: femme"},"content":{"rendered":"

Lorsque la coureuse sud-africaine Caster Semenya, \u00e2g\u00e9e de 18 ans, a fait irruption sur la sc\u00e8ne mondiale en 2009, son championnat n’a pas \u00e9t\u00e9 c\u00e9l\u00e9br\u00e9, mais entach\u00e9 de doutes, ses dossiers m\u00e9dicaux personnels ayant fuit\u00e9 dans les m\u00e9dias internationaux. Est-ce que l’examen public de son corps, motiv\u00e9 par le racisme et le sexisme, a remis en question le droit le plus fondamental d’\u00eatre soi-m\u00eame? La F\u00e9d\u00e9ration internationale d’athl\u00e9tisme amateur (aujourd’hui World Athletics) a d\u00e9cid\u00e9 que les athl\u00e8tes f\u00e9minines cibl\u00e9es devaient modifier m\u00e9dicalement leur corps sain pour pouvoir concourir. Leurs niveaux d’androg\u00e8nes naturellement \u00e9lev\u00e9s ont \u00e9t\u00e9 consid\u00e9r\u00e9s comme un avantage de performance.<\/p>\n

CAT\u00c9GORIE : FEMME<\/a>  s’int\u00e9resse \u00e0 quatre athl\u00e8tes du Grand Sud qui ont \u00e9t\u00e9 forc\u00e9es de se retirer de leurs comp\u00e9titions en raison de ces r\u00e9glementations, et aux ravages caus\u00e9s \u00e0 leurs corps ainsi qu’\u00e0 leurs vies. Leur passion pour le sport est renforc\u00e9e par leur conviction de d\u00e9fendre leurs droits fondamentaux. Dans la foul\u00e9e de son film prim\u00e9 TOXIC BEAUTY, Phyllis Ellis expose une industrie contr\u00f4l\u00e9e par les hommes qui met en danger la vie des femmes, tandis que la policisation du corps des femmes dans le sport se poursuit, de mani\u00e8re plus inf\u00e2me, sous couvert de franc-jeu.<\/p>\n","protected":false},"featured_media":36493,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[2094,1336,1242],"countries":[742],"film_categories":[],"master_copies":[],"pricing_grid":[],"press_types":[2033,1191,1303,2081],"class_list":["post-36537","film","type-film","status-publish","has-post-thumbnail","hentry","languages-anglais","languages-hindi-fr","languages-swahili-fr","countries-ca-fr","press_types-article-fr","press_types-critique","press_types-entrevue","press_types-review-fr-2"],"acf":[],"yoast_head":"\nCat\u00e9gorie: femme - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cat\u00e9gorie: femme - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"Lorsque la coureuse sud-africaine Caster Semenya, \u00e2g\u00e9e de 18 ans, a fait irruption sur la sc\u00e8ne mondiale en 2009, son championnat n’a pas \u00e9t\u00e9 c\u00e9l\u00e9br\u00e9, mais entach\u00e9 de doutes, ses dossiers m\u00e9dicaux personnels ayant fuit\u00e9 dans les m\u00e9dias internationaux. Est-ce que l’examen public de son corps, motiv\u00e9 par le racisme et le sexisme, a remis […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Politica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemapolitica\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-17T19:03:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2022\/07\/official-Category_Woman_4.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1010\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:label1\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/\",\"name\":\"Cat\u00e9gorie: femme - Cinema Politica\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2022\/07\/official-Category_Woman_4.jpg\",\"datePublished\":\"2022-10-04T20:33:39+00:00\",\"dateModified\":\"2023-02-17T19:03:16+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#breadcrumb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#primaryimage\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2022\/07\/official-Category_Woman_4.jpg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2022\/07\/official-Category_Woman_4.jpg\",\"width\":1920,\"height\":1010,\"caption\":\"Category: Woman\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Films\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/films\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Cat\u00e9gorie: femme\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"name\":\"Cinema Politica\",\"description\":\"Screening Truth to Power\",\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\",\"name\":\"Cinema Politica\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"width\":639,\"height\":385,\"caption\":\"Cinema Politica\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/cinemapolitica\",\"https:\/\/x.com\/CinemaPolitica\",\"https:\/\/www.instagram.com\/cinema.politica\/\",\"https:\/\/www.youtube.com\/user\/CinemaPolitica\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cat\u00e9gorie: femme - Cinema Politica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/","og_locale":"fr_CA","og_type":"article","og_title":"Cat\u00e9gorie: femme - Cinema Politica","og_description":"Lorsque la coureuse sud-africaine Caster Semenya, \u00e2g\u00e9e de 18 ans, a fait irruption sur la sc\u00e8ne mondiale en 2009, son championnat n’a pas \u00e9t\u00e9 c\u00e9l\u00e9br\u00e9, mais entach\u00e9 de doutes, ses dossiers m\u00e9dicaux personnels ayant fuit\u00e9 dans les m\u00e9dias internationaux. Est-ce que l’examen public de son corps, motiv\u00e9 par le racisme et le sexisme, a remis […]","og_url":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/","og_site_name":"Cinema Politica","article_publisher":"https:\/\/www.facebook.com\/cinemapolitica","article_modified_time":"2023-02-17T19:03:16+00:00","og_image":[{"width":1920,"height":1010,"url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2022\/07\/official-Category_Woman_4.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@CinemaPolitica","twitter_misc":{"Estimation du temps de lecture":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/","url":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/","name":"Cat\u00e9gorie: femme - Cinema Politica","isPartOf":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#primaryimage"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2022\/07\/official-Category_Woman_4.jpg","datePublished":"2022-10-04T20:33:39+00:00","dateModified":"2023-02-17T19:03:16+00:00","breadcrumb":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#breadcrumb"},"inLanguage":"fr-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/"]}]},{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#primaryimage","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2022\/07\/official-Category_Woman_4.jpg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2022\/07\/official-Category_Woman_4.jpg","width":1920,"height":1010,"caption":"Category: Woman"},{"@type":"BreadcrumbList","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/categorie-femme\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cinemapolitica.org\/fr\/"},{"@type":"ListItem","position":2,"name":"Films","item":"https:\/\/www.cinemapolitica.org\/fr\/films\/"},{"@type":"ListItem","position":3,"name":"Cat\u00e9gorie: femme"}]},{"@type":"WebSite","@id":"https:\/\/www.cinemapolitica.org\/fr\/#website","url":"https:\/\/www.cinemapolitica.org\/fr\/","name":"Cinema Politica","description":"Screening Truth to Power","publisher":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-CA"},{"@type":"Organization","@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization","name":"Cinema Politica","url":"https:\/\/www.cinemapolitica.org\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","width":639,"height":385,"caption":"Cinema Politica"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/cinemapolitica","https:\/\/x.com\/CinemaPolitica","https:\/\/www.instagram.com\/cinema.politica\/","https:\/\/www.youtube.com\/user\/CinemaPolitica"]}]}},"_links":{"self":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/36537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/types\/film"}],"version-history":[{"count":3,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/36537\/revisions"}],"predecessor-version":[{"id":39140,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/36537\/revisions\/39140"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media\/36493"}],"wp:attachment":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media?parent=36537"}],"wp:term":[{"taxonomy":"languages","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/languages?post=36537"},{"taxonomy":"countries","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/countries?post=36537"},{"taxonomy":"film_categories","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film_categories?post=36537"},{"taxonomy":"master_copies","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/master_copies?post=36537"},{"taxonomy":"pricing_grid","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/pricing_grid?post=36537"},{"taxonomy":"press_types","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/press_types?post=36537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}