{"id":45263,"date":"2024-02-13T00:29:21","date_gmt":"2024-02-13T05:29:21","guid":{"rendered":""},"modified":"2024-06-21T14:17:22","modified_gmt":"2024-06-21T18:17:22","slug":"analog-revolution-comment-les-medias-feministes-ont-change-le-monde-2","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/analog-revolution-comment-les-medias-feministes-ont-change-le-monde-2\/","title":{"rendered":"R\u00e9volution analogique : Comment les m\u00e9dias f\u00e9ministes ont chang\u00e9 le monde"},"content":{"rendered":"\n

Lorsque Zainub Verjee, programmatrice de films bas\u00e9e \u00e0 Vancouver, a lanc\u00e9 le festival de films de femmes de couleur InVisible Colours en 1988, elle s’attendait \u00e0 ce qu’il se poursuive pendant des ann\u00e9es. Il en va de m\u00eame pour Linda Abrahams (Matriart Journal) et Zanana Akande (Tiger Lily Women of Colour Magazine). Les coupes budg\u00e9taires, le racisme et les changements technologiques ont d\u00e9cim\u00e9 un mouvement m\u00e9diatique f\u00e9ministe sophistiqu\u00e9 qui a chang\u00e9 le monde.<\/p>\n\n

Ce long m\u00e9trage documentaire retrace l’essor et le d\u00e9clin des communications f\u00e9ministes analogiques qui ont pr\u00e9c\u00e9d\u00e9 l’\u00e8re MeToo. De Halifax \u00e0 Vancouver, les narrateurs f\u00e9ministes des ann\u00e9es 1970 \u00e0 1990 se sont empar\u00e9s des technologies m\u00e9diatiques de pointe pour documenter tous les sujets, de la violence \u00e0 l’\u00e9gard des femmes \u00e0 la mani\u00e8re d’ins\u00e9rer un diaphragme. Vous entendrez des rock stars f\u00e9ministes comme Bonnie Sherr Klein (Montr\u00e9al\/Vancouver) et Sylvia D. Hamilton (Halifax) de Studio D, des collectifs de presse comme Press Gang (Vancouver) et Our Lives : Black Women’s Newspaper (Toronto). Verjee raconte l’histoire du premier festival canadien du film sur les femmes de couleur ; Nora Randall d\u00e9crit ce qu’a signifi\u00e9 la cr\u00e9ation de Pedestal, le premier journal f\u00e9ministe au Canada. Des images d’archives rares, comme les rassemblements f\u00e9ministes des ann\u00e9es 70 \u00e0 Montr\u00e9al, m\u00e8nent au point culminant du film : les coupes draconiennes dans les organisations de femmes et de lesbiennes \u00e0 travers le Canada, suite au massacre de f\u00e9ministes \u00e0 l’\u00c9cole Polytechnique de Montr\u00e9al, (6 d\u00e9cembre 1989). Le film se termine par une r\u00e9surgence : de jeunes f\u00e9ministes BIPOC (Ella Cooper, Black Women Film! ; Didhood Collective), utilisant des strat\u00e9gies analogiques pour cr\u00e9er de nouveaux r\u00e9seaux num\u00e9riques f\u00e9ministes.<\/p>\n","protected":false},"featured_media":45259,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[],"countries":[742],"film_categories":[],"master_copies":[],"pricing_grid":[],"press_types":[2081,2221],"class_list":["post-45263","film","type-film","status-publish","has-post-thumbnail","hentry","countries-ca-fr","press_types-review-fr-2","press_types-review-fr-fr"],"acf":[],"yoast_head":"\nR\u00e9volution analogique : Comment les m\u00e9dias f\u00e9ministes ont chang\u00e9 le monde - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/analog-revolution-comment-les-medias-feministes-ont-change-le-monde-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9volution analogique : Comment les m\u00e9dias f\u00e9ministes ont chang\u00e9 le monde - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"Lorsque Zainub Verjee, programmatrice de films bas\u00e9e \u00e0 Vancouver, a lanc\u00e9 le festival de films de femmes de couleur InVisible Colours en 1988, elle s’attendait \u00e0 ce qu’il se poursuive pendant des ann\u00e9es. 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