{"id":54508,"date":"2025-10-23T10:41:11","date_gmt":"2025-10-23T14:41:11","guid":{"rendered":"https:\/\/www.cinemapolitica.org\/film\/the-sense-of-violence\/"},"modified":"2025-10-23T10:41:13","modified_gmt":"2025-10-23T14:41:13","slug":"the-sense-of-violence","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/the-sense-of-violence\/","title":{"rendered":"The Sense of Violence"},"content":{"rendered":"\n

Le film retrace la trajectoire du cin\u00e9ma en r\u00e9v\u00e9lant les intersections sp\u00e9cifiques partag\u00e9es dans le contexte historique de \u00ab\u00a0l’art anticommuniste\u00a0\u00bb sous le r\u00e9gime de Park Chung-hee (ann\u00e9es 1970~1970). En particulier, la censure de l’imagerie cin\u00e9matographique anticommuniste par l’Agence centrale de renseignement cor\u00e9enne r\u00e9v\u00e8le symboliquement la pr\u00e9sence du pouvoir et de l’id\u00e9ologie dans l’espace entre l’image et la r\u00e9alit\u00e9 sous le r\u00e9gime de Park. Les images reproduites par le pouvoir \u00e0 travers l’id\u00e9ologie repr\u00e9sentent la r\u00e9alit\u00e9 mais y interviennent paradoxalement. Par exemple, les sc\u00e8nes de massacres qui apparaissent presque comme des clich\u00e9s dans les films anti-communistes influencent la r\u00e9alit\u00e9 v\u00e9cue par les familles des victimes des massacres, une r\u00e9alit\u00e9 souvent oubli\u00e9e. Le film s’interroge \u00e9galement sur les cr\u00e9ateurs de ces images. Quels r\u00f4les jouent les cr\u00e9ateurs entre le pouvoir et l’id\u00e9ologie ? Les cr\u00e9ateurs peuvent collaborer avec le pouvoir, en produisant des images qui servent l’id\u00e9ologie souhait\u00e9e par les autorit\u00e9s. D’autres fois, ils peuvent documenter des images qu’ils observent passivement, apparemment en dehors de la sph\u00e8re du pouvoir.Cependant, m\u00eame ces images apparemment d\u00e9tach\u00e9es sont fa\u00e7onn\u00e9es par l’influence omnipr\u00e9sente du pouvoir au sein d’une structure hi\u00e9rarchique plus vaste <\/p>\n\n

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