{"id":54765,"date":"2025-11-10T16:32:09","date_gmt":"2025-11-10T21:32:09","guid":{"rendered":"https:\/\/www.cinemapolitica.org\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/"},"modified":"2025-11-10T16:32:10","modified_gmt":"2025-11-10T21:32:10","slug":"occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/","title":{"rendered":"Occupation 101 &#8211; Voices of the Silenced Majority"},"content":{"rendered":"\n<p>Le conflit isra\u00e9lo-palestinien est largement consid\u00e9r\u00e9 aux \u00c9tats-Unis comme l&rsquo;un des conflits g\u00e9opolitiques les plus complexes au monde. Mais certains signes indiquent \u00e9galement que les Am\u00e9ricains ne connaissent pas bien l&rsquo;un des principaux points chauds du conflit : la nature exacte de l&rsquo;occupation militaire isra\u00e9lienne des territoires palestiniens. OCCUPATION 101 pr\u00e9sente les faits fondamentaux de l&rsquo;occupation avec des d\u00e9tails saisissants et poignants, offrant une histoire claire et sans concession de la spoliation syst\u00e9matique des Palestiniens de leurs terres par Isra\u00ebl. Avec la participation d&rsquo;universitaires sp\u00e9cialistes du Moyen-Orient, de journalistes, de chefs religieux et de travailleurs humanitaires.   <\/p>\n\n<p><\/p>\n","protected":false},"featured_media":54684,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[],"countries":[1443],"film_categories":[],"master_copies":[],"pricing_grid":[],"press_types":[],"class_list":["post-54765","film","type-film","status-publish","has-post-thumbnail","hentry","countries-united-states-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Occupation 101 - Voices of the Silenced Majority - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Occupation 101 - Voices of the Silenced Majority - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"Le conflit isra\u00e9lo-palestinien est largement consid\u00e9r\u00e9 aux \u00c9tats-Unis comme l&rsquo;un des conflits g\u00e9opolitiques les plus complexes au monde. Mais certains signes indiquent \u00e9galement que les Am\u00e9ricains ne connaissent pas bien l&rsquo;un des principaux points chauds du conflit : la nature exacte de l&rsquo;occupation militaire isra\u00e9lienne des territoires palestiniens. OCCUPATION 101 pr\u00e9sente les faits fondamentaux de [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Politica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemapolitica\" \/>\n<meta property=\"article:modified_time\" content=\"2025-11-10T21:32:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2025\/11\/occupation-101.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"333\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:label1\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/\",\"name\":\"Occupation 101 - Voices of the Silenced Majority - Cinema Politica\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2025\/11\/occupation-101.jpeg\",\"datePublished\":\"2025-11-10T21:32:09+00:00\",\"dateModified\":\"2025-11-10T21:32:10+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#breadcrumb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#primaryimage\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2025\/11\/occupation-101.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2025\/11\/occupation-101.jpeg\",\"width\":640,\"height\":333,\"caption\":\"Still from Occupation 101.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Films\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/films\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Occupation 101 &#8211; Voices of the Silenced Majority\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"name\":\"Cinema Politica\",\"description\":\"Screening Truth to Power\",\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\",\"name\":\"Cinema Politica\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"width\":639,\"height\":385,\"caption\":\"Cinema Politica\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/cinemapolitica\",\"https:\/\/x.com\/CinemaPolitica\",\"https:\/\/www.instagram.com\/cinema.politica\/\",\"https:\/\/www.youtube.com\/user\/CinemaPolitica\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Occupation 101 - Voices of the Silenced Majority - Cinema Politica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/","og_locale":"fr_CA","og_type":"article","og_title":"Occupation 101 - Voices of the Silenced Majority - Cinema Politica","og_description":"Le conflit isra\u00e9lo-palestinien est largement consid\u00e9r\u00e9 aux \u00c9tats-Unis comme l&rsquo;un des conflits g\u00e9opolitiques les plus complexes au monde. Mais certains signes indiquent \u00e9galement que les Am\u00e9ricains ne connaissent pas bien l&rsquo;un des principaux points chauds du conflit : la nature exacte de l&rsquo;occupation militaire isra\u00e9lienne des territoires palestiniens. OCCUPATION 101 pr\u00e9sente les faits fondamentaux de [&hellip;]","og_url":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/","og_site_name":"Cinema Politica","article_publisher":"https:\/\/www.facebook.com\/cinemapolitica","article_modified_time":"2025-11-10T21:32:10+00:00","og_image":[{"width":640,"height":333,"url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2025\/11\/occupation-101.jpeg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@CinemaPolitica","twitter_misc":{"Estimation du temps de lecture":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/","url":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/","name":"Occupation 101 - Voices of the Silenced Majority - Cinema Politica","isPartOf":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#primaryimage"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2025\/11\/occupation-101.jpeg","datePublished":"2025-11-10T21:32:09+00:00","dateModified":"2025-11-10T21:32:10+00:00","breadcrumb":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#breadcrumb"},"inLanguage":"fr-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/"]}]},{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#primaryimage","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2025\/11\/occupation-101.jpeg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2025\/11\/occupation-101.jpeg","width":640,"height":333,"caption":"Still from Occupation 101."},{"@type":"BreadcrumbList","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/occupation-101-voices-of-the-silenced-maoccupation-101-voice-of-the-silenced-majority\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cinemapolitica.org\/fr\/"},{"@type":"ListItem","position":2,"name":"Films","item":"https:\/\/www.cinemapolitica.org\/fr\/films\/"},{"@type":"ListItem","position":3,"name":"Occupation 101 &#8211; Voices of the Silenced Majority"}]},{"@type":"WebSite","@id":"https:\/\/www.cinemapolitica.org\/fr\/#website","url":"https:\/\/www.cinemapolitica.org\/fr\/","name":"Cinema Politica","description":"Screening Truth to Power","publisher":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-CA"},{"@type":"Organization","@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization","name":"Cinema Politica","url":"https:\/\/www.cinemapolitica.org\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","width":639,"height":385,"caption":"Cinema Politica"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/cinemapolitica","https:\/\/x.com\/CinemaPolitica","https:\/\/www.instagram.com\/cinema.politica\/","https:\/\/www.youtube.com\/user\/CinemaPolitica"]}]}},"_links":{"self":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/54765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/types\/film"}],"version-history":[{"count":1,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/54765\/revisions"}],"predecessor-version":[{"id":54766,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/54765\/revisions\/54766"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media\/54684"}],"wp:attachment":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media?parent=54765"}],"wp:term":[{"taxonomy":"languages","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/languages?post=54765"},{"taxonomy":"countries","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/countries?post=54765"},{"taxonomy":"film_categories","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film_categories?post=54765"},{"taxonomy":"master_copies","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/master_copies?post=54765"},{"taxonomy":"pricing_grid","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/pricing_grid?post=54765"},{"taxonomy":"press_types","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/press_types?post=54765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}