{"id":55387,"date":"2026-01-14T12:16:46","date_gmt":"2026-01-14T17:16:46","guid":{"rendered":"https:\/\/www.cinemapolitica.org\/?post_type=film&p=55387"},"modified":"2026-01-14T12:16:48","modified_gmt":"2026-01-14T17:16:48","slug":"true-north","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/true-north\/","title":{"rendered":"True North"},"content":{"rendered":"\n

Dans un extrait d’une entrevue r\u00e9alis\u00e9e en 1968, Roosevelt (Rosie) Douglas d\u00e9nonce et condamne le racisme et la violence li\u00e9s \u00e0 l’in\u00e9galit\u00e9 raciale au Canada, l’exploitation des Cara\u00efbes et l’histoire de l’esclavage. Le ton de True North est donn\u00e9 par ce militant des droits des Noirs et leader de la manifestation \u00e9tudiante de l’hiver 1969 \u00e0 l’Universit\u00e9 Sir George Williams de Montr\u00e9al, qui contestait la mani\u00e8re dont l’administration avait trait\u00e9 une plainte pour racisme. Les t\u00e9moignages des participants \u00e0 cet acte de r\u00e9sistance et d’affirmation, illustr\u00e9s par un montage judicieux d’images d’archives, ancrent cet \u00e9v\u00e9nement d\u00e9cisif dans sa r\u00e9alit\u00e9 sociopolitique. \u00c0 travers leurs d\u00e9nonciations de la violence, ces t\u00e9moignages r\u00e9v\u00e8lent la richesse culturelle de cette communaut\u00e9 diversifi\u00e9e et retracent la mont\u00e9e d’un mouvement de protestation \u00e0 l’\u00e9chelle du continent \u00e0 la fin des ann\u00e9es 1960. Habilement racont\u00e9, ce travail remarquablement mont\u00e9 est un puissant acte de m\u00e9moire. <\/p>\n\n

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