{"id":8283,"date":"2020-05-11T15:58:09","date_gmt":"2020-05-11T19:58:09","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?post_type=film&#038;p=8283"},"modified":"2022-01-14T13:48:30","modified_gmt":"2022-01-14T18:48:30","slug":"merata-how-mum-decolonized-the-screen","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/merata-how-mum-decolonized-the-screen\/","title":{"rendered":"Merata: How Mum Decolonized the Screen"},"content":{"rendered":"<p>I never saw my mum as a filmmaker, nor was she ever an activist in my eyes. She was always a loving mum. And as the youngest of her six kids, that was the only side of her that I really knew.<\/p>\n<p>There was a lot about her 68 years of life I didn\u2019t know, and it is within the vaults of the film archive that she tells me the story of her past.<\/p>\n<p>My mum, Merata, was the first M\u0101ori woman, and first indigenous woman in the world, to write and direct a narrative feature film. She directed movies in Hollywood, interviewed Robert Mugabe in Zimbabwe, and worked for various respected organisations around the world such as the BBC and National Geographic.<\/p>\n<p>Her independent political documentaries of the \u201870s and \u201880s highlighted the injustices for M\u0101ori people in New Zealand, and often divided the country.<\/p>\n<p>But the suffering of my older siblings during these times was all too real. Her drive for social justice would have to be weighed against the dangers her work would expose them to.<\/p>\n<p>By weaving together films discovered within the vaults of the archives with the deep personal accounts of my older brothers and sister, a deeply intimate portrait emerges and my mother\u2019s story reveals itself to me, and to the rest of the world, for the first time.<\/p>\n","protected":false},"featured_media":10681,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[1249],"countries":[867],"film_categories":[],"master_copies":[],"pricing_grid":[],"press_types":[1191],"class_list":["post-8283","film","type-film","status-publish","has-post-thumbnail","hentry","languages-maori-fr","countries-nz-fr","press_types-critique"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Merata: How Mum Decolonized the Screen - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/merata-how-mum-decolonized-the-screen\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Merata: How Mum Decolonized the Screen - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"I never saw my mum as a filmmaker, nor was she ever an activist in my eyes. 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