{"id":8292,"date":"2020-05-11T15:55:15","date_gmt":"2020-05-11T19:55:15","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?post_type=film&#038;p=8292"},"modified":"2026-04-14T10:40:06","modified_gmt":"2026-04-14T14:40:06","slug":"obscuro-barroco","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/obscuro-barroco\/","title":{"rendered":"Obscuro Barroco"},"content":{"rendered":"<p>OBSCURO BARROCO is an object that transforms infinitely, that&nbsp;devours infinitely: it is the mouth of Luana Muniz, a legendary&nbsp;figure of Rio de Janeiro\u2019s night, that serves as the stolen point&nbsp;of entry to the city\u2019s nocturnal incandescence.<\/p>\n<p>The film opens with a seductive ballet of luxuriant tropical&nbsp;vegetation caught in the sea breeze and bowing under heavy rain&nbsp;drops. The theatrical beauty of these evergreen trees is so intense&nbsp;that it appears to border upon the artificial: these images set&nbsp;the stage for a reversal of perspective in which nature itself seems&nbsp;factitious. It will reappear in the glittering d\u00e9cor of a carnival float,&nbsp;the swirling gateway to an artificial paradise that a healer blows&nbsp;in our face. It is our very capacity for metempsychosis that plays out&nbsp;in this film, this strange and unknown faculty through which our&nbsp;soul can move towards, through and inside other bodies.&nbsp;A true question of cinema, then.<\/p>\n<p>OBSCURO BARROCO&nbsp;is a documentary-fiction about the dizzying&nbsp;heights of gender and metamorphosis. It is also a cinematographic&nbsp;hommage to a land of extremes, the city of Rio de Janeiro. Following the path of iconic transgender figure Luana Muniz (1961-2017), the film explores different quests for the self; through transvestism,&nbsp;carnaval and political struggle. In turn, it asks questions about&nbsp;the desire for transformation of the body, both intimate and social.<\/p>\n","protected":false},"featured_media":9277,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[2094,1261],"countries":[779,2225],"film_categories":[1193,1219,1195,1205],"master_copies":[],"pricing_grid":[],"press_types":[2081],"class_list":["post-8292","film","type-film","status-publish","has-post-thumbnail","hentry","languages-anglais","languages-portugais","countries-fr-fr","countries-greece","film_categories-genre-fr","film_categories-human-rights-fr","film_categories-lgbtq2siap-queer-fr","film_categories-mouvements-sociaux-fr","press_types-review-fr-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Obscuro Barroco - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/obscuro-barroco\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Obscuro Barroco - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"OBSCURO BARROCO is an object that transforms infinitely, that&nbsp;devours infinitely: it is the mouth of Luana Muniz, a legendary&nbsp;figure of Rio de Janeiro\u2019s night, that serves as the stolen point&nbsp;of entry to the city\u2019s nocturnal incandescence. 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