{"id":8295,"date":"2020-05-11T15:55:15","date_gmt":"2020-05-11T19:55:15","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?post_type=film&#038;p=8295"},"modified":"2023-06-27T16:14:51","modified_gmt":"2023-06-27T20:14:51","slug":"worlds-of-ursula-k-le-guin","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/","title":{"rendered":"Worlds of Ursula K. Le Guin"},"content":{"rendered":"<p>Best known for groundbreaking science fiction and fantasy works such as A Wizard of Earthsea, The Left Hand of Darkness, and The Dispossessed, Ursula K. Le Guin defiantly held her ground on the margin of \u201crespectable\u201d literature until the sheer excellence of her work, at long last, forced the mainstream to embrace fantastic literature. Her fascinating story has never before been captured on film.<\/p>\n<p>Produced with Le Guin\u2019s participation over the course of a decade, WORLDS OF URSULA K. LE GUIN is a journey through the writer\u2019s career and her worlds, both real and fantastic. Viewers will join the writer on an intimate journey of self-discovery as she comes into her own as a major feminist author, opening new doors for the imagination and inspiring generations of women and other marginalized writers along the way. The film features stunning animation and reflections by literary luminaries including Margaret Atwood, Neil Gaiman, David Mitchell, Michael Chabon, and more.<\/p>\n","protected":false},"featured_media":11239,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[1190],"countries":[1443],"film_categories":[],"master_copies":[],"pricing_grid":[],"press_types":[2081],"class_list":["post-8295","film","type-film","status-publish","has-post-thumbnail","hentry","languages-francais","countries-united-states-fr","press_types-review-fr-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Worlds of Ursula K. Le Guin - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Worlds of Ursula K. Le Guin - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"Best known for groundbreaking science fiction and fantasy works such as A Wizard of Earthsea, The Left Hand of Darkness, and The Dispossessed, Ursula K. Le Guin defiantly held her ground on the margin of \u201crespectable\u201d literature until the sheer excellence of her work, at long last, forced the mainstream to embrace fantastic literature. Her [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Politica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemapolitica\" \/>\n<meta property=\"article:modified_time\" content=\"2023-06-27T20:14:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WorldsOfUrsulaLeGuin1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:label1\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/\",\"name\":\"Worlds of Ursula K. Le Guin - Cinema Politica\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WorldsOfUrsulaLeGuin1.jpg\",\"datePublished\":\"2020-05-11T19:55:15+00:00\",\"dateModified\":\"2023-06-27T20:14:51+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#breadcrumb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#primaryimage\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WorldsOfUrsulaLeGuin1.jpg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WorldsOfUrsulaLeGuin1.jpg\",\"width\":1920,\"height\":1080,\"caption\":\"Still from the Worlds Of Ursula K. Le Guin\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Films\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/films\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Worlds of Ursula K. Le Guin\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"name\":\"Cinema Politica\",\"description\":\"Screening Truth to Power\",\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\",\"name\":\"Cinema Politica\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"width\":639,\"height\":385,\"caption\":\"Cinema Politica\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/cinemapolitica\",\"https:\/\/x.com\/CinemaPolitica\",\"https:\/\/www.instagram.com\/cinema.politica\/\",\"https:\/\/www.youtube.com\/user\/CinemaPolitica\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Worlds of Ursula K. Le Guin - Cinema Politica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/","og_locale":"fr_CA","og_type":"article","og_title":"Worlds of Ursula K. Le Guin - Cinema Politica","og_description":"Best known for groundbreaking science fiction and fantasy works such as A Wizard of Earthsea, The Left Hand of Darkness, and The Dispossessed, Ursula K. Le Guin defiantly held her ground on the margin of \u201crespectable\u201d literature until the sheer excellence of her work, at long last, forced the mainstream to embrace fantastic literature. Her [&hellip;]","og_url":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/","og_site_name":"Cinema Politica","article_publisher":"https:\/\/www.facebook.com\/cinemapolitica","article_modified_time":"2023-06-27T20:14:51+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WorldsOfUrsulaLeGuin1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@CinemaPolitica","twitter_misc":{"Estimation du temps de lecture":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/","url":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/","name":"Worlds of Ursula K. Le Guin - Cinema Politica","isPartOf":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#primaryimage"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WorldsOfUrsulaLeGuin1.jpg","datePublished":"2020-05-11T19:55:15+00:00","dateModified":"2023-06-27T20:14:51+00:00","breadcrumb":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#breadcrumb"},"inLanguage":"fr-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/"]}]},{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#primaryimage","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WorldsOfUrsulaLeGuin1.jpg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/WorldsOfUrsulaLeGuin1.jpg","width":1920,"height":1080,"caption":"Still from the Worlds Of Ursula K. Le Guin"},{"@type":"BreadcrumbList","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/worlds-of-ursula-k-le-guin\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cinemapolitica.org\/fr\/"},{"@type":"ListItem","position":2,"name":"Films","item":"https:\/\/www.cinemapolitica.org\/fr\/films\/"},{"@type":"ListItem","position":3,"name":"Worlds of Ursula K. Le Guin"}]},{"@type":"WebSite","@id":"https:\/\/www.cinemapolitica.org\/fr\/#website","url":"https:\/\/www.cinemapolitica.org\/fr\/","name":"Cinema Politica","description":"Screening Truth to Power","publisher":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-CA"},{"@type":"Organization","@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization","name":"Cinema Politica","url":"https:\/\/www.cinemapolitica.org\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","width":639,"height":385,"caption":"Cinema Politica"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/cinemapolitica","https:\/\/x.com\/CinemaPolitica","https:\/\/www.instagram.com\/cinema.politica\/","https:\/\/www.youtube.com\/user\/CinemaPolitica"]}]}},"_links":{"self":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/8295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/types\/film"}],"version-history":[{"count":3,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/8295\/revisions"}],"predecessor-version":[{"id":41809,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/8295\/revisions\/41809"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media\/11239"}],"wp:attachment":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media?parent=8295"}],"wp:term":[{"taxonomy":"languages","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/languages?post=8295"},{"taxonomy":"countries","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/countries?post=8295"},{"taxonomy":"film_categories","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film_categories?post=8295"},{"taxonomy":"master_copies","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/master_copies?post=8295"},{"taxonomy":"pricing_grid","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/pricing_grid?post=8295"},{"taxonomy":"press_types","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/press_types?post=8295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}