{"id":9002,"date":"2020-05-11T15:52:32","date_gmt":"2020-05-11T19:52:32","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?post_type=film&p=9002"},"modified":"2022-12-08T17:25:15","modified_gmt":"2022-12-08T22:25:15","slug":"first-daughter-and-the-black-snake","status":"publish","type":"film","link":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/","title":{"rendered":"First Daughter and the Black Snake"},"content":{"rendered":"\n

La proph\u00e9tie du 7\u00e8me feu dit qu’un serpent noir apportera la destruction sur la terre. Nous aurons le choix entre deux voies. L’une est br\u00fbl\u00e9e, et l’autre est verte. Pour Winona LaDuke (qui signifie \u00ab\u00a0premi\u00e8re fille\u00a0\u00bb en ojibw\u00e9), \u00e9conomiste, \u00e9crivain, agronome et politicienne autochtone redoutable, ce serpent noir prend la forme de trains et d’ol\u00e9oducs. <\/p>\n\n

Lorsque Winona apprend que la soci\u00e9t\u00e9 canadienne Enbridge pr\u00e9voit de faire passer un nouveau pipeline par les terres de la nation White Earth, soumises au trait\u00e9 de 1855 dans le Minnesota, elle se lance dans l’action avec sa communaut\u00e9 pour sauver les lacs sacr\u00e9s de riz sauvage et les sources durables de nourriture, et pr\u00e9server les modes de vie traditionnels. <\/p>\n\n

Apr\u00e8s avoir pris la d\u00e9cision de lutter contre Enbridge, Winona r\u00eave qu’elle chevauche son cheval \u00e0 contre-courant du p\u00e9trole. En lan\u00e7ant une randonn\u00e9e spirituelle annuelle \u00e0 cheval le long du trac\u00e9 propos\u00e9 de l’ol\u00e9oduc, en prenant la parole lors de r\u00e9unions communautaires et d’audiences r\u00e9glementaires, Winona t\u00e9moigne que le trac\u00e9 de l’ol\u00e9oduc suit le cours d’un traumatisme historique et contemporain. La nation White Earth demande \u00e0 participer au processus d’autorisation de l’ol\u00e9oduc, affirmant ses droits issus de trait\u00e9s \u00e0 prot\u00e9ger ses ressources naturelles. <\/p>\n\n

Le voyage de Winona l’emm\u00e8ne avec son fils dans le Michigan, sous le vent de la raffinerie de p\u00e9trole des sables bitumineux de Marathon Petroleum, o\u00f9 des militants r\u00e9v\u00e8lent les effets sur la sant\u00e9 de la vie \u00e0 proximit\u00e9 d’une zone connue sous le nom de \u00ab\u00a0zone de sacrifice\u00a0\u00bb. Alors qu’Enbridge annonce l’annulation de l’ol\u00e9oduc Sandpiper et oriente ses investissements vers l’ol\u00e9oduc Dakota Access, le militantisme de Winona se poursuit alors que la ligne 3 menace de traverser les m\u00eames terres de trait\u00e9.<\/p>\n\n

<\/div>\n\n
Disponibilit\u00e9 de distribution : Canada<\/h6>\n","protected":false},"featured_media":9330,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"languages":[1302],"countries":[1443],"film_categories":[443,1215,1220,1199,1256,1221,1223,1197,1301,1300,1285],"master_copies":[],"pricing_grid":[1411,1410,1413,1412,1415,1414,1417,1416,1419,1418,1421,1423,1458,1430,1431,1428,1422,1420,1426,1427,1429,1425],"press_types":[1191,1303],"class_list":["post-9002","film","type-film","status-publish","has-post-thumbnail","hentry","languages-ojibwe-fr","countries-united-states-fr","film_categories-agriculture-fr","film_categories-autochtone-fr","film_categories-changement-climatique-fr","film_categories-colonialisme-fr","film_categories-eau-fr","film_categories-environnement-fr","film_categories-extraction-des-ressources-fr","film_categories-femmes-fr","film_categories-pollution-fr","film_categories-systemes-alimentaires-fr","film_categories-terre-fr","pricing_grid-1-30-avec-droit-dentree","pricing_grid-1-30-sans-droit-dentree","pricing_grid-121-250-avec-driot-dentree","pricing_grid-121-250-sans-droit-dentree","pricing_grid-251-500-avec-droit-dentree","pricing_grid-251-500-sans-droit-dentree","pricing_grid-31-60-avec-droit-dentree","pricing_grid-31-60-sans-droit-dentree","pricing_grid-61-120-avec-driot-dentree","pricing_grid-61-120-sans-droit-dentree","pricing_grid-cegep-fr","pricing_grid-cooperatives-de-films-independantes","pricing_grid-droits-institutionnels-ecole-secondaire","pricing_grid-droits-institutionnels-educatifs-angleterre","pricing_grid-droits-institutionnels-educatifs-etats-unis","pricing_grid-ecoles-et-bibliotheques-publiques","pricing_grid-educatif","pricing_grid-grand-festival-de-films","pricing_grid-moyen-festival-de-films","pricing_grid-organisme-sans-but-lucratif-ayant-un-revenu-annuel-de-moins-de-150000-et-exclusivement-pour-des-projections-sans-droit-dentree-a-des-fins-educatives","pricing_grid-petit-festival-de-films","pricing_grid-projections-privees-en-bibliotheque","press_types-critique","press_types-entrevue"],"acf":[],"yoast_head":"\nFirst Daughter and the Black Snake - Cinema Politica<\/title>\n<meta name=\"description\" content=\"First Daughter and the Black Snake offre une fen\u00eatre sur la vie et l'\u0153uvre de Winona LaDuke, une formidable \u00e9conomiste, \u00e9crivaine, agronome et f\u00e9roce politicienne ojibw\u00e9e.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"First Daughter and the Black Snake - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"First Daughter and the Black Snake offre une fen\u00eatre sur la vie et l'\u0153uvre de Winona LaDuke, une formidable \u00e9conomiste, \u00e9crivaine, agronome et f\u00e9roce politicienne ojibw\u00e9e.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Politica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemapolitica\" \/>\n<meta property=\"article:modified_time\" content=\"2022-12-08T22:25:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/FirstDaughterAndTheBlackSnake1-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:label1\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/\",\"name\":\"First Daughter and the Black Snake - Cinema Politica\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/FirstDaughterAndTheBlackSnake5-1-scaled.jpg\",\"datePublished\":\"2020-05-11T19:52:32+00:00\",\"dateModified\":\"2022-12-08T22:25:15+00:00\",\"description\":\"First Daughter and the Black Snake offre une fen\u00eatre sur la vie et l'\u0153uvre de Winona LaDuke, une formidable \u00e9conomiste, \u00e9crivaine, agronome et f\u00e9roce politicienne ojibw\u00e9e.\",\"breadcrumb\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#breadcrumb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#primaryimage\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/FirstDaughterAndTheBlackSnake5-1-scaled.jpg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/FirstDaughterAndTheBlackSnake5-1-scaled.jpg\",\"width\":4000,\"height\":2667,\"caption\":\"Winona LaDuke and Honor the Earth hold their 4th annual spiritual horse ride against the current of oil as her Ojibwe community is facing new Enbridge pipelines which threaten the sacred wild rice beds of Northern Minnesota. Winona LaDuke, Executive Director of Honor the Earth, embarks on a horse ride against the proposed Enbridge Sandpiper pipeline. Along the way the riders will raise awareness of the proposed pipeline by informing native communities and landowners of the inherent risks of the project and their rights to oppose it. The ride traverses the Sandy Lake and Rice Lake watersheds, a mother lode of wild rice in Minnesota. The proposed pipeline would threaten traditional wild rice beds from East to West. Photo by Keri Pickett.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Films\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/films\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"First Daughter and the Black Snake\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"name\":\"Cinema Politica\",\"description\":\"Screening Truth to Power\",\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\",\"name\":\"Cinema Politica\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"width\":639,\"height\":385,\"caption\":\"Cinema Politica\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/cinemapolitica\",\"https:\/\/x.com\/CinemaPolitica\",\"https:\/\/www.instagram.com\/cinema.politica\/\",\"https:\/\/www.youtube.com\/user\/CinemaPolitica\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"First Daughter and the Black Snake - Cinema Politica","description":"First Daughter and the Black Snake offre une fen\u00eatre sur la vie et l'\u0153uvre de Winona LaDuke, une formidable \u00e9conomiste, \u00e9crivaine, agronome et f\u00e9roce politicienne ojibw\u00e9e.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/","og_locale":"fr_CA","og_type":"article","og_title":"First Daughter and the Black Snake - Cinema Politica","og_description":"First Daughter and the Black Snake offre une fen\u00eatre sur la vie et l'\u0153uvre de Winona LaDuke, une formidable \u00e9conomiste, \u00e9crivaine, agronome et f\u00e9roce politicienne ojibw\u00e9e.","og_url":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/","og_site_name":"Cinema Politica","article_publisher":"https:\/\/www.facebook.com\/cinemapolitica","article_modified_time":"2022-12-08T22:25:15+00:00","og_image":[{"width":1920,"height":1080,"url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/FirstDaughterAndTheBlackSnake1-1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_site":"@CinemaPolitica","twitter_misc":{"Estimation du temps de lecture":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/","url":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/","name":"First Daughter and the Black Snake - Cinema Politica","isPartOf":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#primaryimage"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/FirstDaughterAndTheBlackSnake5-1-scaled.jpg","datePublished":"2020-05-11T19:52:32+00:00","dateModified":"2022-12-08T22:25:15+00:00","description":"First Daughter and the Black Snake offre une fen\u00eatre sur la vie et l'\u0153uvre de Winona LaDuke, une formidable \u00e9conomiste, \u00e9crivaine, agronome et f\u00e9roce politicienne ojibw\u00e9e.","breadcrumb":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#breadcrumb"},"inLanguage":"fr-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/"]}]},{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#primaryimage","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/FirstDaughterAndTheBlackSnake5-1-scaled.jpg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/FirstDaughterAndTheBlackSnake5-1-scaled.jpg","width":4000,"height":2667,"caption":"Winona LaDuke and Honor the Earth hold their 4th annual spiritual horse ride against the current of oil as her Ojibwe community is facing new Enbridge pipelines which threaten the sacred wild rice beds of Northern Minnesota. Winona LaDuke, Executive Director of Honor the Earth, embarks on a horse ride against the proposed Enbridge Sandpiper pipeline. Along the way the riders will raise awareness of the proposed pipeline by informing native communities and landowners of the inherent risks of the project and their rights to oppose it. The ride traverses the Sandy Lake and Rice Lake watersheds, a mother lode of wild rice in Minnesota. The proposed pipeline would threaten traditional wild rice beds from East to West. Photo by Keri Pickett."},{"@type":"BreadcrumbList","@id":"https:\/\/www.cinemapolitica.org\/fr\/film\/first-daughter-and-the-black-snake\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cinemapolitica.org\/fr\/"},{"@type":"ListItem","position":2,"name":"Films","item":"https:\/\/www.cinemapolitica.org\/fr\/films\/"},{"@type":"ListItem","position":3,"name":"First Daughter and the Black Snake"}]},{"@type":"WebSite","@id":"https:\/\/www.cinemapolitica.org\/fr\/#website","url":"https:\/\/www.cinemapolitica.org\/fr\/","name":"Cinema Politica","description":"Screening Truth to Power","publisher":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-CA"},{"@type":"Organization","@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization","name":"Cinema Politica","url":"https:\/\/www.cinemapolitica.org\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","width":639,"height":385,"caption":"Cinema Politica"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/cinemapolitica","https:\/\/x.com\/CinemaPolitica","https:\/\/www.instagram.com\/cinema.politica\/","https:\/\/www.youtube.com\/user\/CinemaPolitica"]}]}},"_links":{"self":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/9002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/types\/film"}],"version-history":[{"count":2,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/9002\/revisions"}],"predecessor-version":[{"id":37542,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film\/9002\/revisions\/37542"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media\/9330"}],"wp:attachment":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media?parent=9002"}],"wp:term":[{"taxonomy":"languages","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/languages?post=9002"},{"taxonomy":"countries","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/countries?post=9002"},{"taxonomy":"film_categories","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/film_categories?post=9002"},{"taxonomy":"master_copies","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/master_copies?post=9002"},{"taxonomy":"pricing_grid","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/pricing_grid?post=9002"},{"taxonomy":"press_types","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/press_types?post=9002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}