{"id":15293,"date":"2021-01-05T10:00:00","date_gmt":"2021-01-05T15:00:00","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/land-and-memory-from-gitksan-nation-to-eastern-anatolia\/"},"modified":"2021-07-08T12:13:46","modified_gmt":"2021-07-08T16:13:46","slug":"land-and-memory-from-gitksan-nation-to-eastern-anatolia","status":"publish","type":"post","link":"https:\/\/www.cinemapolitica.org\/fr\/land-and-memory-from-gitksan-nation-to-eastern-anatolia\/","title":{"rendered":"Land and Memory: From Gitksan Nation to Eastern Anatolia"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">This month, the latest releases through CP On Demand feature two stories that explore generational memories of displacement, and challenge notions of land ownership. Through Nettie Wild&rsquo;s&nbsp;<a href=\"https:\/\/www.cinemapolitica.org\/film\/blockade\" target=\"_blank\" rel=\"noreferrer noopener\">BLOCKADE<\/a>&nbsp;and Hale G\u00fczin K\u0131z\u0131laslan\u2019s&nbsp;<a href=\"https:\/\/www.cinemapolitica.org\/film\/the-return\" target=\"_blank\" rel=\"noreferrer noopener\">THE RETURN<\/a>, these exceptional films confront what it means to remember and reclaim a sense of belonging to land.<\/h4>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/dev.cinemapolitica.org\/wp-content\/uploads\/2021\/01\/image.jpeg\" alt=\"Still from Blockade\"\/><figcaption>BLOCKADE \/ Nettie Wild \/ Canada \/ 1994 \/ 90 &lsquo; \/ English<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">BLOCKADE<\/h2>\n\n\n\n<p>Nettie Wild&rsquo;s <strong><a href=\"https:\/\/www.cinemapolitica.org\/film\/blockade\" target=\"_blank\" rel=\"noreferrer noopener\">BLOCKADE<\/a><\/strong>&nbsp;depicts how members of Gitksan Nation assert their right over land that has been sold to a white settler family by the Crown. As one of the films available through Cinema Politica&rsquo;s exclusive&nbsp;<a href=\"https:\/\/cinemapolitica.vhx.tv\/the-nettie-wild-collection\">Nettie Wild Collection<\/a>, BLOCKADE is a classic title within Wild\u2019s critically-acclaimed roster of films on Indigenous resistance, civil wars, drug addiction and activism.<\/p>\n\n\n\n<p>Released in 1994, BLOCKADE depicts how Canadian colonialism is an ongoing, continuing project&nbsp;\u2014&nbsp;far from something that happened once upon a time, and is now complete and consigned to history books. Four years removed from the Oka Crisis that saw Pierre Trudeau&rsquo;s Liberal government deploy the military against Mohawk residents of Kanesatake, BLOCKADE offers a glimpse at the banality of Canada\u2019s nation-building project that is as militarized as it is bureaucratic.<\/p>\n\n\n\n<p>This incisive film reveals how much Canadian settlers take for granted in their ability to buy land and build homes on unceded Indigenous territories. Beyond the story of Gitksan land claims and resistance to continued Canadian colonialist expansion, BLOCKADE reflects on deeper rifts between Indigenous and colonial relationships with land: do we relate to land as property, or as something else?<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-background\" href=\"https:\/\/cinemapolitica.vhx.tv\/products\/blockade-1\" style=\"border-radius:2px;background-color:#38a800\" target=\"_blank\" rel=\"noreferrer noopener\">VIEW ON DEMAND<\/a><\/div>\n\n\n\n<div class=\"wp-block-button is-style-fill\"><a class=\"wp-block-button__link has-white-color has-text-color has-background\" href=\"https:\/\/cinemapolitica.vhx.tv\/blockade\" style=\"border-radius:2px;background-color:#ff456e\" target=\"_blank\" rel=\"noreferrer noopener\">SUBSCRIBE TO STREAM<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/dev.cinemapolitica.org\/wp-content\/uploads\/2021\/01\/download.jpeg\" alt=\"Still from THE RETURN\"\/><\/figure>\n\n\n\n<p><em>THE RETURN \/&nbsp;Hale G\u00fczin K\u0131z\u0131laslan \/ Turkey \/ 2015 \/ 21 &lsquo; \/ Armenian &#8211; Turkish with English subtitles<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">THE RETURN<\/h2>\n\n\n\n<p>Premiered at Dok Leipzig in 2016,&nbsp;<strong><a href=\"https:\/\/www.cinemapolitica.org\/film\/the-return\" target=\"_blank\" rel=\"noreferrer noopener\">THE RETURN<\/a><\/strong>&nbsp;is an independent film produced in Turkey by Armenian director Hale G\u00fczin K\u0131z\u0131laslan, reflecting on present-day Eastern Anatolia, or the Armenian Highlands\u2014a region where Christian Armenians had historically lived alongside Muslim Kurds. Through scenes from the everyday life of present-day occupants, K\u0131z\u0131laslan unravels the generational memory of the Armenian Genocide, remembered as the Medz Yeghern (\u201cGreat Catastrophe\u201d).<\/p>\n\n\n\n<p>Through expropriation, displacement and extermination, the Armenian population in this region of the Ottoman Empire&nbsp;<a href=\"https:\/\/www.nationalgeographic.com\/magazine\/2016\/04\/armenia-massacre-turkey-kurds-history\/\">dropped from around two million<\/a>&nbsp;to less than 500,000. Despite the ethnic cleansing committed against Armenians during the First World War, Turkey has refuted claims of genocide. The memory of Armenian settlements in present-day Eastern Anatolia has likewise been erased by the Turkish government, without even memorials or plaques to mark the memory of these atrocities.<\/p>\n\n\n\n<p>K\u0131z\u0131laslan\u2019s eye lingers over scenes of villages like Kahta, where old stone homes and bridges seamlessly meld into the mountainous region surrounding Mount Nemrut. Here, survivors persist, building their lives amid these landscapes of silence.<\/p>\n\n\n\n<p>THE RETURN is especially relevant in a moment of unfolding conflict in Nagorno-Karabakh, where Turkey has been implicated through its military alliance with Azerbaijan. As&nbsp;history comes full circle, land is shown to be the true backbone to community.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-white-color has-text-color has-background no-border-radius\" href=\"https:\/\/vimeo.com\/ondemand\/thereturncpfilm\" style=\"background-color:#38a800\" target=\"_blank\" rel=\"noreferrer noopener\">VIEW ON DEMAND<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Our On Demand titles this month feature two stories of displacement, settlement and generational memory in Nettie Wild&rsquo;s BLOCKADE and Hale G\u00fczin K\u0131z\u0131laslan&rsquo;s THE RETURN.<\/p>\n","protected":false},"author":368,"featured_media":24843,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"categories":[1576,1575],"tags":[1477,1512,1513,1514,1515,1516],"class_list":["post-15293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-distribution-fr","category-sur-demande","tag-armenia-fr","tag-eastern-anatolia-fr","tag-gitksan-nation-fr","tag-hale-guzin-kizilaslan-fr","tag-nettie-wild-fr","tag-turkey-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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