{"id":16259,"date":"2020-10-26T08:00:00","date_gmt":"2020-10-26T12:00:00","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/camfranglais-wins-the-cp-2019-audience-choice-award\/"},"modified":"2024-12-19T17:22:05","modified_gmt":"2024-12-19T22:22:05","slug":"camfranglais-wins-the-cp-2019-audience-choice-award","status":"publish","type":"post","link":"https:\/\/www.cinemapolitica.org\/fr\/camfranglais-wins-the-cp-2019-audience-choice-award\/","title":{"rendered":"CAMFRANGLAIS Wins the CP 2019 Audience Choice Award"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"385\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/02\/camfranglais-audience-award-eng_0.jpg\" alt=\"Camfranglais Audience Award Laurel\" loading=\"lazy\" srcset=\"http:\/\/dev.cinemapolitica.org\/wp-content\/uploads\/2021\/02\/camfranglais-audience-award-eng_0-150x150.jpg 150w, http:\/\/dev.cinemapolitica.org\/wp-content\/uploads\/2021\/02\/camfranglais-audience-award-eng_0-300x181.jpg 300w, http:\/\/dev.cinemapolitica.org\/wp-content\/uploads\/2021\/02\/camfranglais-audience-award-eng_0-334x188.jpg 334w, http:\/\/dev.cinemapolitica.org\/wp-content\/uploads\/2021\/02\/camfranglais-audience-award-eng_0-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/02\/camfranglais-audience-award-eng_0.jpg 639w\" sizes=\"auto, (min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\"><\/p>\n<p>Cinema Politica is delighted to announce our 2019 Audience Choice Award-winning film\u2014<a href=\"https:\/\/www.cinemapolitica.org\/film\/camfranglais\" target=\"_blank\" rel=\"noopener\">CAMFRANGLAIS<\/a>&nbsp;by filmakers Myl\u00e8ne Augustin&nbsp;&amp;&nbsp;Feven Ghebremariam, a futuristic story about linguistic sovereignty. Melding streams of Indigenous futurism with Afrofuturism, CAMFRANGLAIS imagines a not-so-distant world, looking ahead to Summer 2117, a year that will be revealing for 18-year-old Cameroonian girl, Sam. Freshly elected to the tribal council that governs her country, she joins the national delegation that is invited to Tiohti\u00e0:ke (Montreal).<\/p>\n<p>This trip is a pilgrimage for the young girl, as she traces the steps of her great-grandmother who lived in this northern land over a hundred years ago. She will also come to realize the connection that ties her people to this foreign land, a bond woven through a struggle that will lead Cameroonian people and First Nations to linguistic sovereignty.&nbsp;<\/p>\n<p>A fantastical achievement of Quebec cinema, CAMFRANGLAIS was produced and featured as part of Cinema Politica\u2019s&nbsp;<em><a href=\"https:\/\/www.documentaryfuturism.ca\/\" target=\"_blank\" rel=\"noopener\">The Next 150: Documentary Futurism<\/a><\/em>&nbsp;project, which seeks to usher in a new kind of filmmaking that brings actuality into conversation with speculation, realism with fantasy. Documentary futurism is an exploration of cinematic language that collides critique of present-day political, social and environmental issues with alternative histories or imagined futures. CAMFRANGLAIS is one of these possible worlds, reflecting on the complexity of language\u2014an issue that both unites and divides Quebec, where colonial languages rarely acknowledge the multiplicity of Indigenous languages that preceded them.<\/p>\n<p>Myl\u00e8ne Augustin&nbsp;&amp;&nbsp;Feven Ghebremariam are in excellent company, with previous years&rsquo; selections going to&nbsp;<a href=\"https:\/\/www.cinemapolitica.org\/film\/i-am-rohingya\" target=\"_blank\" rel=\"noopener\">I AM ROHINGYA<\/a>&nbsp;by Yusuf Zine,&nbsp;<a href=\"https:\/\/www.cinemapolitica.org\/film\/angry-inuk\" target=\"_blank\" rel=\"noopener\">ANGRY INUK<\/a>&nbsp;by Alethea Arnaquq-Baril,&nbsp;<a href=\"https:\/\/www.cinemapolitica.org\/film\/sweet-crude\" target=\"_blank\" rel=\"noopener\">SWEET CRUDE<\/a>&nbsp;by Sandy Cioffi, and&nbsp;<a href=\"https:\/\/www.cinemapolitica.org\/film\/changes-everything\" target=\"_blank\" rel=\"noopener\">THIS CHANGES EVERYTHING<\/a>&nbsp;by Avi Lewis with Naomi Klein\u2014just to name a few! To check out past Audience Choice Award Winners,&nbsp;<a href=\"https:\/\/www.cinemapolitica.org\/awards\">follow this link<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CAMFRANGLAIS, a futuristic story about linguistic sovereignty, melds streams of Indigenous futurism with Afrofuturism to imagine a not-so-distant world in 2117 &#8230;<\/p>\n","protected":false},"author":368,"featured_media":16251,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"categories":[1574,1576,1620],"tags":[1621,1622,1623,1624,1625,1626,1627,1628],"class_list":["post-16259","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-annonces-du-reseau","category-distribution-fr","category-prix","tag-afrofuturism-fr","tag-audience-choice-award-fr","tag-camfranglais-fr","tag-documentary-futurism-fr","tag-feven-ghebremariam-fr","tag-indigenous-futurism-fr","tag-linguistic-sovereignty-fr","tag-mylene-augustin-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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