{"id":18897,"date":"2019-12-10T18:00:00","date_gmt":"2019-12-10T23:00:00","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?p=18897"},"modified":"2021-06-02T10:46:00","modified_gmt":"2021-06-02T14:46:00","slug":"maori-made-collection","status":"publish","type":"post","link":"https:\/\/www.cinemapolitica.org\/fr\/maori-made-collection\/","title":{"rendered":"M\u0101ori-Made Collection"},"content":{"rendered":"\t\t
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The\u00a0M\u0101ori-Made Collection<\/a>\u00a0is a unique and stirring program of short and feature length M\u0101ori-directed fiction and documentary cinema from Aotearoa\/New Zealand. Cinema Politica paired up with the New Zealand Film Commission to bring these previously unavailable films to Canada for the first time. Featured filmmakers include one of the founding figures of Indigenous cinema, Merata Mita, the critically acclaimed Taika Waititi and celebrated Fourth Cinema intellectual-artist Barry Barclay.<\/p>

Our goal with this dynamic collection is to showcase an image of Aotearoa by and of its people.\u00a0Barry Barclay, describing his term \u201cFourth Cinema\u201d, states that its work is to \u00ab\u00a0rework the ancient core values to shape a growing Indigenous cinema outside the national orthodoxy\u00a0\u00bb. In the vital films of this collection, \u00ab\u00a0we will find examples at every turn of how the old principles have been reworked to give vitality and richness to the way we conceive, develop, manufacture and present our films.\u00a0\u00bb Barclay’s two films included in M\u0101ori-Made,\u00a0NG\u0100TI<\/a>\u00a0and\u00a0TE RUA,<\/a>\u00a0both deal with histories of colonialism and depict impassioned battles against its power structures.\u00a0<\/p>

Taika Waititi, now a household name for Hollywood hits like Thor: Ragnarok, is featured with two films in the collection. Speaking on his experience filming\u00a0TWO CARS, ONE NIGHT<\/a>\u00a0he says: \u201cpeople who\u2019d made a lot of films before would tell me that certain shots would be better this way, and certain edits would be better that way\u2014and they were wrong. It wasn\u2019t my style.\u00a0\u00bb We for one, are thankful Waititi stuck to his own vision of cinema – his unique cinematic approach is palpable in\u00a0TAMA T\u016a<\/a>, where the master storyteller uses humour and traditional knowledge to confront colonialism.\u00a0<\/p>

We are proud to include the visually stunning\u00a0MAURI<\/a>, by the talented and politically-committed Merata Mita in this collection, who has said: \u201cThe revolution isn’t just running out with a gun. If a film I make causes Indigenous people to feel stronger about themselves, then I’m achieving something worthwhile for the revolution.\u201d Mita\u2019s iconic legacy knows no limits: she was the first M\u0101ori woman to write and direct a dramatic feature, and went on to teach documentary filmmaking after her long career of production, not to mention her decades of dedication to and involvement in social justice causes, especially indigenous liberation.<\/p>

Rounding out the collection, Himiona Grace’s\u00a0THE P\u0100 BOYS<\/a>\u00a0is an exploration of the ‘down north’ of Aotearoa\/New Zealand, capturing the landscape, culture and music of the place. It follows a fictional Wellingtion reggea band on a quest for identity and belonging. This outstanding first feature won Best Film gong at the 2014 Wairoa M\u0101ori Film Festival. The director is also a musician, and the creative use of documentary and fiction genres in the\u00a0 film produce a rich image of New Zealand’s unique musical scene.\u00a0<\/p>

Check out the M\u0101ori-Made collection – you can\u00a0watch online<\/a>\u00a0or\u00a0book a film<\/a>\u00a0today.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

In collaboration with the New Zealand Film Commission, we are bringing you six previously unavailable Aotearoa gems by revered directors to stream or book for your institution.<\/p>\n","protected":false},"author":368,"featured_media":18895,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"categories":[1576],"tags":[],"class_list":["post-18897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-distribution-fr"],"acf":[],"yoast_head":"\nM\u0101ori-Made Collection - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/maori-made-collection\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u0101ori-Made Collection - 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