{"id":19644,"date":"2017-09-08T18:00:00","date_gmt":"2017-09-08T22:00:00","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?p=19644"},"modified":"2021-06-02T10:46:40","modified_gmt":"2021-06-02T14:46:40","slug":"useful-resources-for-our-documentary-futurism-project-the-next-150","status":"publish","type":"post","link":"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/","title":{"rendered":"Useful Resources for our Documentary Futurism Project, The Next 150"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"19644\" class=\"elementor elementor-19644 elementor-19617\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a73d43b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a73d43b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-dbd7fa7\" data-id=\"dbd7fa7\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-15deead elementor-widget elementor-widget-image\" data-id=\"15deead\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"639\" height=\"385\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/pumzi_2.jpeg\" class=\"attachment-large size-large wp-image-19642\" alt=\"Still from Pumzi\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/pumzi_2-334x188.jpeg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/pumzi_2-336x198.jpeg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/pumzi_2-375x371.jpeg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/pumzi_2-456x256.jpeg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/pumzi_2.jpeg 639w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-0bc19a3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"0bc19a3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-fe1d3bd\" data-id=\"fe1d3bd\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6349112 elementor-widget elementor-widget-text-editor\" data-id=\"6349112\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>This past summer Cinema Politica announced our newest project,\u00a0<em>The Next 150<\/em>, with a call for short film proposals. With\u00a0<em>The Next 150<\/em>, an initiative funded through the Canada Council for the Arts\u2019s The Next Chapter program, we plan to diversify our activities by commissioning fifteen short film and video projects that together will help us launch a new cinematic genre that we are calling \u201cdocumentary futurism.\u201d We\u2019ve had an overwhelming response to our CFP, and with the deadline looming (Sep 30) we\u2019ve decided to provide some resources to help orient potential applicants towards the idea of documentary futurism. To read more about this project and the submission guidelines, visit\u00a0<a href=\"https:\/\/www.cinemapolitica.org\/TheNext150\">cinemapolitica.org\/TheNext150.<\/a><\/p><p><em>The Next 150<\/em>\u00a0is inspired by two artistic movements, Afrofuturism and Indigenous Futurism, as well as by writers of speculative fiction and non-fiction. Below is a list of links that will help those interested find out more about these inspiring creative forces, but this list is by no means exhaustive. As the imminent release of the Canadian feature film\u00a0<em>Brown Girl Begins<\/em>\u00a0(based on a novel by Nalo Hopkinson) attests, creative work grappling with the future with a concern for social justice shows no sign of slowing down, and the links below offer a jumping-off point into the dynamic, political and cutting-edge cultural spheres The Next 150 builds from. With this in mind, we welcome suggestions for any other books, films, projects, music, paintings, etc, that are missing from the lists below. Enjoy!<\/p><h2><strong>AFROFUTURISM<\/strong><\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-c45c86b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"c45c86b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-368d352\" data-id=\"368d352\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ae8c82b elementor-widget elementor-widget-video\" data-id=\"ae8c82b\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen allow=\"clipboard-write\" title=\"Lecteur vid\u00e9o vimeo\" src=\"https:\/\/player.vimeo.com\/video\/46891859?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d7d837f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d7d837f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-88d74d4\" data-id=\"88d74d4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9e34898 elementor-widget elementor-widget-text-editor\" data-id=\"9e34898\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><sup><em>Top image &amp; video above:\u00a0<a href=\"https:\/\/vimeo.com\/46891859\">PUMZI<\/a>\u00a0by Wanuri Kahiu.<\/em><\/sup><\/p><p>Monoskop\u2019s list of Afrofuturism resources is robust, especially the section on \u201cWritings\u201d &#8211;\u00a0<a href=\"https:\/\/monoskop.org\/Afrofuturism\">https:\/\/monoskop.org\/Afrofuturism<\/a><\/p><p>Black to the Future by Mark Dery (a foundational text for Afrofuturism) &#8211;\u00a0<a href=\"https:\/\/www.kit.ntnu.no\/sites\/www.kit.ntnu.no\/files\/Black%20to%20the%20Future%20(Dery)_0.pdf\">https:\/\/www.kit.ntnu.no\/sites\/www.kit.ntnu.no\/files\/Black%20to%20the%20Future%20(Dery)_0.pdf<\/a><\/p><p>Afrofuturism, Science Fiction, and the History of the Future by Lisa Yaszek &#8211;\u00a0<a href=\"http:\/\/academicish.com\/wp-content\/uploads\/2015\/09\/Yaszek-Afrofuturism.pdf\">http:\/\/academicish.com\/wp-content\/uploads\/2015\/09\/Yaszek-Afrofuturism.pdf<\/a><\/p><p>An Afrofuturist Reading List &#8211;\u00a0<a href=\"https:\/\/howwegettonext.com\/an-afrofuturist-reading-list-2934dfcd8fb0\">https:\/\/howwegettonext.com\/an-afrofuturist-reading-list-2934dfcd8fb0<\/a><\/p><p>Afrofuturism: The World of Black Sci-Fi and Fantasy Culture (book) by Ytasha L. Womack \u2013\u00a0<a href=\"http:\/\/www.chicagoreviewpress.com\/afrofuturism-products-9781613747964.php\">http:\/\/www.chicagoreviewpress.com\/afrofuturism-products-9781613747964.php<\/a><\/p><p>OkayAfrica\u2019s Introduction to Afrofuturism &#8211;\u00a0<a href=\"http:\/\/www.okayafrica.com\/culture-2\/african-future-okayafrica-introduction-afrofuturism\/\">http:\/\/www.okayafrica.com\/culture-2\/african-future-okayafrica-introduction-afrofuturism\/<\/a><\/p><p>Why Afrofuturism is the Art Movement We Need in 2017 &#8211;\u00a0<a href=\"https:\/\/i-d.vice.com\/en_us\/article\/vbdgxx\/why-afrofuturism-is-the-art-movement-we-need-in-2017\">https:\/\/i-d.vice.com\/en_us\/article\/vbdgxx\/why-afrofuturism-is-the-art-movement-we-need-in-2017<\/a><\/p><p>Video of New America NYC talk, \u201cAfrofuturism: Imagining the Future of Black Identity,\u201d with Michael Bennett (@MGBennett), Ytasha Womack (@ytashawomack), Wal\u00e9 Oy\u00e9dij\u00e9 (@IkireJones) and Aisha Harris (@craftingmystyle) &#8211;\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=DEwxTzt33kM\">https:\/\/www.youtube.com\/watch?v=DEwxTzt33kM<\/a><\/p><p>Video of Atlanta Contemporary Art Centre talk, \u201cContemporary Talks: Greg Tate,\u201d with Greg Tate &#8211;\u00a0<a href=\"https:\/\/www.youtube.com\/watch?time_continue=48&amp;v=-shHZioArqg\">https:\/\/www.youtube.com\/watch?time_continue=48&amp;v=-shHZioArqg<\/a><\/p><p>Futurism, Futurity, and the Importance of the Existential Imagination by Paul Kuttner \u2013\u00a0<a href=\"http:\/\/culturalorganizing.org\/futurism-futurity\/\">http:\/\/culturalorganizing.org\/futurism-futurity\/<\/a><\/p><p>Black Radical Imagination &#8211;\u00a0<a href=\"http:\/\/blackradicalimagination.com\/\">http:\/\/blackradicalimagination.com\/<\/a><\/p><p>Nalo Hopkinson (writer) &#8211;\u00a0<a href=\"http:\/\/nalohopkinson.com\/index.html\">http:\/\/nalohopkinson.com\/index.html<\/a><\/p><p>PUMZI by Wanuri Kahiu (short film) &#8211;\u00a0<a href=\"https:\/\/vimeo.com\/46891859\">https:\/\/vimeo.com\/46891859<\/a><\/p><p>\u00a0<\/p><h2>INDIGENOUS FUTURISM<\/h2>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7eff56d elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7eff56d\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f2feca2\" data-id=\"f2feca2\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6c5b0dc elementor-widget elementor-widget-video\" data-id=\"6c5b0dc\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/embed\\\/bbmi2ff3MBk&quot;,&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b7ea705 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b7ea705\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-fdb9e84\" data-id=\"fdb9e84\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-273f82d elementor-widget elementor-widget-text-editor\" data-id=\"273f82d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><sup><em>Video above:\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=bbmi2ff3MBk\">WAKENING<\/a>\u00a0by Danis Goulet.<\/em><\/sup><\/p><p>The Indigenous Futurisms Mixtape &#8211;\u00a0<a href=\"http:\/\/rpm.fm\/music\/download-indigenous-futurisms-mixtape\/\">http:\/\/rpm.fm\/music\/download-indigenous-futurisms-mixtape\/<\/a><\/p><p>Decolonizing Science Fiction And Imagining Futures: An Indigenous Futurisms Roundtable with Rebecca Roanhorse, Elizabeth Lapensee, Johnnie Jae and Darcie Little Badger &#8211;\u00a0<a href=\"http:\/\/strangehorizons.com\/non-fiction\/articles\/decolonizing-science-fiction-and-imagining-futures-an-indigenous-futurisms-roundtable\/\">http:\/\/strangehorizons.com\/non-fiction\/articles\/decolonizing-science-fiction-and-imagining-futures-an-indigenous-futurisms-roundtable\/<\/a><\/p><p>Visual Cultures of Indigenous Futurisms by Lindsay Nixon (@notvanishing) &#8211;\u00a0<a href=\"http:\/\/gutsmagazine.ca\/visual-cultures\/\">http:\/\/gutsmagazine.ca\/visual-cultures\/<\/a><\/p><p>Inuit Futurism (author unknown) &#8211;\u00a0<a href=\"https:\/\/blogs.ubc.ca\/annieguerin\/2016\/11\/30\/inuit-futurism\/\">https:\/\/blogs.ubc.ca\/annieguerin\/2016\/11\/30\/inuit-futurism\/<\/a><\/p><p>TIMETRAVELLER by Skawennati (video episodes) &#8211;\u00a0<a href=\"https:\/\/blogs.ubc.ca\/annieguerin\/2016\/11\/30\/inuit-futurism\/\">https:\/\/blogs.ubc.ca\/annieguerin\/2016\/11\/30\/inuit-futurism\/<\/a><\/p><p>Close Encounters: The Next 500 Years (book) by Candice Hopkins, Steve Loft, Lee-Ann Martin and Jenny Western (curatorial collective) &#8211;\u00a0<a href=\"https:\/\/plugin.org\/exhibitions\/2011\/close-encounters-next-500-years\">https:\/\/plugin.org\/exhibitions\/2011\/close-encounters-next-500-years<\/a><\/p><p>M\u00e9tis in Space (podcast) &#8211;\u00a0<a href=\"http:\/\/www.metisinspace.com\/about\/\">http:\/\/www.metisinspace.com\/about\/<\/a><\/p><p>Native American Survivance, Memory, and Futurity: The Gerald Vizenor Continuum (book) by Birgit D\u00e4wes, Alexandra Hauke (editors) &#8211;\u00a0<a href=\"https:\/\/www.routledge.com\/Native-American-Survivance-Memory-and-Futurity-The-Gerald-Vizenor-Continuum\/Dawes-Hauke\/p\/book\/9781138211759\">https:\/\/www.routledge.com\/Native-American-Survivance-Memory-and-Futurity-The-Gerald-Vizenor-Continuum\/Dawes-Hauke\/p\/book\/9781138211759<\/a><\/p><p>Walking the Clouds: An Anthology of Indigenous Science Fiction (book) by Grace L. Dillon \u2013\u00a0\u00a0<a href=\"http:\/\/www.powells.com\/book\/walking-the-clouds-an-anthology-of-indigenous-science-fiction-9780816529827\">http:\/\/www.powells.com\/book\/walking-the-clouds-an-anthology-of-indigenous-science-fiction-9780816529827<\/a><\/p><p>Decolonizing the future: How a new generation of Indigenous writers is changing science fiction by Kate Heartfield &#8211;\u00a0<a href=\"https:\/\/articlemag.ca\/decolonizing-the-future-a69ec9b46838\">https:\/\/articlemag.ca\/decolonizing-the-future-a69ec9b46838<\/a><\/p><p>Treaty Shirts (book review) by Gerald Vizenor &#8211;\u00a0<a href=\"https:\/\/lareviewofbooks.org\/article\/speculative-constitutions-gerald-vizenors-treaty-shirts\/%23\">https:\/\/lareviewofbooks.org\/article\/speculative-constitutions-gerald-vizenors-treaty-shirts\/#<\/a>!<\/p><p>WAKENING (video) by Danis Goulet &#8211;\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=bbmi2ff3MBk\">https:\/\/www.youtube.com\/watch?v=bbmi2ff3MBk<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>As promised, here is a list of resources that will help introduce anyone interested in submitting a proposal to The Next 150 project.<\/p>\n","protected":false},"author":368,"featured_media":19642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"categories":[1576,1604],"tags":[],"class_list":["post-19644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-distribution-fr","category-programmation"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Useful Resources for our Documentary Futurism Project, The Next 150 - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Useful Resources for our Documentary Futurism Project, The Next 150 - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"As promised, here is a list of resources that will help introduce anyone interested in submitting a proposal to The Next 150 project.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Politica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemapolitica\" \/>\n<meta property=\"article:published_time\" content=\"2017-09-08T22:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-02T14:46:40+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/pumzi_2.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"639\" \/>\n\t<meta property=\"og:image:height\" content=\"385\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Cinema Politica Network\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:site\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Cinema Politica Network\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/\"},\"author\":{\"name\":\"Cinema Politica Network\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/person\/e2fd7fcad70af74c0de2ed2bd2565ccd\"},\"headline\":\"Useful Resources for our Documentary Futurism Project, The Next 150\",\"datePublished\":\"2017-09-08T22:00:00+00:00\",\"dateModified\":\"2021-06-02T14:46:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/\"},\"wordCount\":727,\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/pumzi_2.jpeg\",\"articleSection\":[\"Distribution\",\"Programmation\"],\"inLanguage\":\"fr-CA\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/\",\"name\":\"Useful Resources for our Documentary Futurism Project, The Next 150 - 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Lagoon Beach Hotel Underground Car Park, Lagoon Beach, Milnerton, Cape Town, Western Cape, South Africa. STILLS FROM WANURI KAHIU'S FILM 'PUMZI'! A 20 min Sci-Fi film about futuristic Africa, 35 years after World War III, \u2018The Water War\u2019! \u00a0 A series of stills photographs taken during the production of Wanuri Kahiu's short film, 'Pumzi'. Wanuri Kahiu, an award winning Kenyan Filmmaker, wrote and directed the film that was filmed entirely on location in the Western Cape, South Africa. These stills specifically were taken on various locations in Cape Town, Western Cape, South Africa during June 2009. The film is a futuristic work based on a devastated world without water and other precious commodities. The film, set in the Kenyan countryside, questions the price of fresh water, fresh air, fresh food and other commodities and revolves mainly around its central character, 'Asha'. The film also focuses on how to harvest moisture, energy and food in all their varied forms in order to supply the human food chain that depends on these life precious things for their ultimate survival. In the film Asha is a curator at a virtual natural history museum in the Maitu Community located in the Eastern African territory. Outside of the community, all nature is extinct. When she receives a box in the mail containing soil, she decides to plant a seed in it. The seed starts to germinate instantly. Despite repeated instructions from her superior to throw out the soil sample, she appeals to the Council to grant her an exit visa to leave the community and plant the seed. Her visa is denied and she is evacuated from the Museum. Asha decides to break out of the inside community to plant the seed in the \u2018dead\u2019 outside. She battles with her own fear and apprehension of the dead and derelict outside world to save the growing plant. Essentially Asha embarks on a personal quest that becomes her journey of self discovery and spiritual awakening that causes her to question her own existential role in this world. The film flows like its other character, 'Water', and leads us all to a realization that a world without water and a life without understanding and spirituality is absolutely no world and no life at all! PICTURE: MARK WESSELS. 21\/06\/2009. +27 (0)21 551 5527. +27 (0)78 222 8777. atomic7@mweb.co.za www.markwesselsphoto.com\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/useful-resources-for-our-documentary-futurism-project-the-next-150\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Useful Resources for our Documentary Futurism Project, The Next 150\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"name\":\"Cinema Politica\",\"description\":\"Screening Truth to Power\",\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\",\"name\":\"Cinema Politica\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"width\":639,\"height\":385,\"caption\":\"Cinema Politica\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/cinemapolitica\",\"https:\/\/x.com\/CinemaPolitica\",\"https:\/\/www.instagram.com\/cinema.politica\/\",\"https:\/\/www.youtube.com\/user\/CinemaPolitica\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/person\/e2fd7fcad70af74c0de2ed2bd2565ccd\",\"name\":\"Cinema Politica Network\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Useful Resources for our Documentary Futurism Project, The Next 150 - 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Lagoon Beach Hotel Underground Car Park, Lagoon Beach, Milnerton, Cape Town, Western Cape, South Africa. STILLS FROM WANURI KAHIU'S FILM 'PUMZI'! A 20 min Sci-Fi film about futuristic Africa, 35 years after World War III, \u2018The Water War\u2019! \u00a0 A series of stills photographs taken during the production of Wanuri Kahiu's short film, 'Pumzi'. Wanuri Kahiu, an award winning Kenyan Filmmaker, wrote and directed the film that was filmed entirely on location in the Western Cape, South Africa. These stills specifically were taken on various locations in Cape Town, Western Cape, South Africa during June 2009. The film is a futuristic work based on a devastated world without water and other precious commodities. The film, set in the Kenyan countryside, questions the price of fresh water, fresh air, fresh food and other commodities and revolves mainly around its central character, 'Asha'. 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