{"id":19719,"date":"2017-05-01T16:00:00","date_gmt":"2017-05-01T20:00:00","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?p=19719"},"modified":"2021-06-02T10:46:42","modified_gmt":"2021-06-02T14:46:42","slug":"lals-rosina-kazi-on-institutional-violence","status":"publish","type":"post","link":"https:\/\/www.cinemapolitica.org\/fr\/lals-rosina-kazi-on-institutional-violence\/","title":{"rendered":"LAL&rsquo;s Rosina Kazi on Institutional Violence"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"19719\" class=\"elementor elementor-19719 elementor-19714\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-59c4a63 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"59c4a63\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b6ce7a1\" data-id=\"b6ce7a1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6301a45 elementor-widget elementor-widget-image\" data-id=\"6301a45\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"639\" height=\"385\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/blog_lal.jpeg\" class=\"attachment-large size-large wp-image-19716\" alt=\"LAL&#039;S ROSINA KAZI ON INSTITUTIONAL VIOLENCE\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/blog_lal-334x188.jpeg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/blog_lal-336x198.jpeg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/blog_lal-375x371.jpeg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/blog_lal-456x256.jpeg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/blog_lal.jpeg 639w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f86f762 elementor-widget elementor-widget-text-editor\" data-id=\"f86f762\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><em>Rosina Kazi from LAL shared some thoughts with us about how LAL&rsquo;s song, ERASE ME, addresses\u00a0the daily violence faced by Black, Indigenous and POC communities in Canada and\u00a0dismantles the #ComfortableTruth* that racialized communities have no reason to fear the police or governmental institutions in this country. Check out her reflection and listen to ERASE ME below.<br \/><\/em><\/p><p><em>Biography: LAL is an intersection between idea, place, and people, where we stand for moment and discuss the kind of world we will create. The conversation eventually gives ways to dance, which, in turn, gives way to conversation, which again, makes room for dance. We will win. There\u2019s no doubt.\u00a0<\/em><\/p><p>\/\/<\/p><p><em>ERASE ME<\/em>\u00a0reflects the themes of Comfortable Truths because it is a song about the fact that many Black and Indigenous folks as well as People of Colour are constantly being watched and\/or are in threat of physical and\/or emotional violence, either via the police or other Institutions like Education and Health Institutions to name but two. It also looks at the day-to-day agressions faced by QTBIPOC and BIPOC communities. These are truths that although they are uncomfortable for those of us who are targeted, are very much comfortable for a white majority. And for many in communities of colour, we have grown accustomed to this sort of treatment so that in a sense we ourselves have become \u2018comfortable\u2019 &#8211; or rather we know what to expect, with regard to such treatment. Though things are shifting a great deal with movements like No One Is Illegal, BLM, Idle No More and support for Muslim communities facing harassment, we still have a ways to go in undoing the fear and threat that we may one day be \u2018erased\u2019, because much of Canadian history itself shows the erasure of our stories and experiences is commonplace.<\/p><p>You can\u00a0<a href=\"https:\/\/lalforest.bandcamp.com\/track\/erase-me\">listen to LAL&rsquo;s ERASE ME<\/a>\u00a0here\u00a0and read the lyrics below.\u00a0<\/p><p>\u00a0<\/p><blockquote><p><em>Erase Me<\/em><\/p><p>It\u2019s that time of day where we go quietly<br \/>cause we know they\u2019re on to us<br \/>you can take the train, get off walk away<br \/>decide to get off the bus<br \/>no matter where we\u2019re going to<br \/>no matter what we\u2019re going through<br \/>one day they\u2019ll erase me<br \/>it\u2019s that sense you get when you\u2019re watched constantly<br \/>soon come when we\u2019ll all get stopped<br \/>you can feel the waves of some dishonesty<br \/>that whispers \u2018it\u2019s serious\u2019<br \/>no matter where we\u2019re going to<br \/>no matter what we\u2019re going through<br \/>one day they\u2019ll erase me\u00a0<\/p><\/blockquote><p>\u00a0\u00a0<\/p><p><em>* #ComfortableTruths are mainstream attitudes and ideas about nationhood, belonging and identity that, despite not being true (such as \u00ab\u00a0immigrants have it easy in Canada\u00a0\u00bb), have become so engrained in the Canadian imaginary and mainstream culture that they become orthodoxy. As part of Cinema Politica&rsquo;s\u00a0<a href=\"https:\/\/www.cinemapolitica.org\/special-events\/nations-and-migrations\">Nations &amp; Migrations project<\/a>, we reached out to activists and artists across the country and asked them to share their thoughts and reactions to these so-called truths.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>#ComfortableTruth: Racialized communities have no reason to fear the police or governmental institutions. Read Rosina Kazi\u2019s reflections on how LAL&rsquo;s song ERASE ME responds to this idea here.<\/p>\n","protected":false},"author":368,"featured_media":19716,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"categories":[1851,1604],"tags":[],"class_list":["post-19719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entrevue","category-programmation"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LAL&#039;s Rosina Kazi on Institutional Violence - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/lals-rosina-kazi-on-institutional-violence\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LAL&#039;s Rosina Kazi on Institutional Violence - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"#ComfortableTruth: Racialized communities have no reason to fear the police or governmental institutions. 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