{"id":20744,"date":"2012-01-01T09:00:00","date_gmt":"2012-01-01T14:00:00","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?p=20744"},"modified":"2021-06-02T12:52:01","modified_gmt":"2021-06-02T16:52:01","slug":"cinema-politica-versions","status":"publish","type":"post","link":"https:\/\/www.cinemapolitica.org\/fr\/cinema-politica-versions\/","title":{"rendered":"Cinema Politica Versions"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"20744\" class=\"elementor elementor-20744 elementor-20740\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-10bbc9b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"10bbc9b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-01c84a9\" data-id=\"01c84a9\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-371cfe4 elementor-widget elementor-widget-image\" data-id=\"371cfe4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"642\" height=\"322\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance.jpeg\" class=\"attachment-large size-large wp-image-20742\" alt=\"Still from Portrait of Resistance\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance-334x188.jpeg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance-336x198.jpeg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance-375x322.jpeg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance-456x256.jpeg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance.jpeg 642w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a6d5cf0 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a6d5cf0\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ba767ee\" data-id=\"ba767ee\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-81fd433 elementor-widget elementor-widget-text-editor\" data-id=\"81fd433\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Launched in 2012, Cinema Politica has teamed up with professional translators and language students to offer French and English versions of single-language films and videos, facilitating greater exposure of and access to art works made in one of Canada&rsquo;s two official languages.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e04583b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e04583b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-d4a1056\" data-id=\"d4a1056\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-30e04c0 elementor-widget elementor-widget-heading\" data-id=\"30e04c0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">ABOUT THE PROJECT<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-98ac04f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"98ac04f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-333c4f3\" data-id=\"333c4f3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1a73796 elementor-widget elementor-widget-text-editor\" data-id=\"1a73796\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>In our effort to bridge the \u00ab\u00a0two solitudes\u00a0\u00bb divide, at least in select documentary film and video, CP each year works with translators to create English subtitled versions of French works and French subtitled versions of English works.<\/p><p>In this way we hope to expand the audiences for these important works as well as allow non-billingual audiences a chance to experience film and video made otherwise inaccessible because of language constraints.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-178a047 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"178a047\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ab18c34\" data-id=\"ab18c34\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-48634be elementor-widget elementor-widget-heading\" data-id=\"48634be\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">COMPLETED VERSIONS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a8efb89 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a8efb89\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-25e8a38\" data-id=\"25e8a38\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1aff4d2 elementor-widget elementor-widget-text-editor\" data-id=\"1aff4d2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>We recently completed subtitles for\u00a0<a href=\"http:\/\/www.cinemapolitica.org\/film\/portrait-resistance-art-and-activism-carole-cond%C3%A9-karl-beveridge\">PORTRAIT OF RESISTANCE: THE ART AND ACTIVISM OF CAROLE COND\u00c9 AND KARL BEVERIDGE<\/a>\u00a0by Roz Owen and Jim Miller,\u00a0<a href=\"http:\/\/www.cinemapolitica.org\/film\/red-square-black-board\">RED SQUARE ON A BLACK BOARD<\/a>\u00a0by Santiago Bertolino and Hugo Samson,\u00a0<a href=\"http:\/\/www.cinemapolitica.org\/film\/return-homs\">RETURN TO HOMS<\/a>\u00a0by Talal Derki, RUPTURE by\u00a0<em>Groupe d&rsquo;action en cin\u00e9ma Epop\u00e9e<\/em>,\u00a0<a href=\"http:\/\/www.cinemapolitica.org\/film\/secret-trial-5\">THE SECRET TRIAL 5<\/a>\u00a0by Amar Wala,\u00a0<a href=\"http:\/\/www.cinemapolitica.org\/film\/vessel\">VESSEL<\/a>\u00a0by Diana Whitten,\u00a0<a href=\"https:\/\/www.cinemapolitica.org\/film\/granny-power\">GRANNY POWER<\/a>\u00a0by Magnus Isacsson<em>,<\/em>\u00a0<a href=\"https:\/\/www.cinemapolitica.org\/film\/migrant-dreams\">MIGRANT DREAMS<\/a>\u00a0by Min Sook Lee,\u00a0<a href=\"https:\/\/www.cinemapolitica.org\/film\/tunniit-retracing-lines-inuit-tattoos\">TUNNIIT: RETRACING THE LINES OF INUIT TATTOOS<\/a>\u00a0by Alethea Arnaquq-Baril,\u00a0<a href=\"https:\/\/www.cinemapolitica.org\/film\/colonization-road\">COLONIZATION ROAD<\/a>\u00a0by Michelle St-John, the\u00a0<a href=\"https:\/\/www.cinemapolitica.org\/distribution\/documentary-futurism\">DOCUMENTARY FUTURISM PROGRAM<\/a>\u00a0by multiple directors, and\u00a0<a href=\"https:\/\/www.cfmdc.org\/film\/4436\">\u00f4t\u00eanaw<\/a>\u00a0by Connor McNally.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-666d22b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"666d22b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-968445d\" data-id=\"968445d\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-09389df elementor-widget elementor-widget-heading\" data-id=\"09389df\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Past Projects<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a2fa2c7 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a2fa2c7\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-f2e988b\" data-id=\"f2e988b\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a8ca95f elementor-widget elementor-widget-image\" data-id=\"a8ca95f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"642\" height=\"322\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance.jpeg\" class=\"attachment-large size-large wp-image-20742\" alt=\"Still from Portrait of Resistance\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance-334x188.jpeg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance-336x198.jpeg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance-375x322.jpeg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance-456x256.jpeg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/06\/Portrait-of-Resistance.jpeg 642w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2105112 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2105112\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2a75ac1\" data-id=\"2a75ac1\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-efd8a3c elementor-widget elementor-widget-text-editor\" data-id=\"efd8a3c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"screenings-details-top screening-padding\"><div class=\"views-field-title\"><span class=\"field-content\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/portrait-resistance-art-and-activism-carole-cond%C3%A9-karl-beveridge\">PORTRAIT OF RESISTANCE: THE ART AND ACTIVISM OF CAROLE COND\u00c9&#8230;<\/a><\/span><\/div><div class=\"views-field-field-director-reference-nid\"><div class=\"field-content\">ROZ OWEN \/ CA \/\u00a0<span class=\"date-display-single\">2011<\/span>\u00a0\/ 72 &lsquo;<\/div><\/div><\/div><div class=\"views-field-field-subhead-value\"><span class=\"field-content\">As economic and environmental crises grip public awareness, the world is finally catching up to the ideas of two artists who make work for social change.<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d5f4d82 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d5f4d82\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-a153213\" data-id=\"a153213\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1b024ed elementor-widget elementor-widget-image\" data-id=\"1b024ed\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"639\" height=\"384\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/return-to-homs.jpeg\" class=\"attachment-large size-large wp-image-20746\" alt=\"Still from RETURN TO HOMS\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/return-to-homs-334x188.jpeg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/return-to-homs-336x198.jpeg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/return-to-homs-375x371.jpeg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/return-to-homs-456x256.jpeg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/return-to-homs.jpeg 639w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b06ef47 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b06ef47\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-524de30\" data-id=\"524de30\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4273554 elementor-widget elementor-widget-text-editor\" data-id=\"4273554\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"screenings-details-top screening-padding\"><div class=\"views-field-title\"><span class=\"field-content\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/return-homs\">RETURN TO HOMS<\/a><\/span><\/div><div class=\"views-field-field-director-reference-nid\"><div class=\"field-content\">TALAL DERKI \/ SY \/\u00a0<span class=\"date-display-single\">2013<\/span>\u00a0\/ 87 &lsquo;<\/div><\/div><\/div><div class=\"views-field-field-subhead-value\"><span class=\"field-content\">This Sundance-winner intimates the tribulations of the Syrian revolution while revealing the human price of resistance.<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d0a6858 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d0a6858\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9272260\" data-id=\"9272260\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b99871f elementor-widget elementor-widget-image\" data-id=\"b99871f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"639\" height=\"384\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/Jeannemanif.jpg\" class=\"attachment-large size-large wp-image-20748\" alt=\"Still from RED SQUARE ON A BLACKBOARD\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/Jeannemanif-334x188.jpg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/Jeannemanif-336x198.jpg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/Jeannemanif-375x371.jpg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/Jeannemanif-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2012\/01\/Jeannemanif.jpg 639w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-866e10f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"866e10f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-518ba35\" data-id=\"518ba35\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2f4313f elementor-widget elementor-widget-text-editor\" data-id=\"2f4313f\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"screenings-details-top screening-padding\"><div class=\"views-field-title\"><span class=\"field-content\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/red-square-blackboard\">RED SQUARE ON A BLACKBOARD<\/a><\/span><\/div><div class=\"views-field-field-director-reference-nid\"><div class=\"field-content\">SANTIAGO BERTOLINO\u00a0&amp;\u00a0HUGO SAMSON \/ CA \/\u00a0<span class=\"date-display-single\">2013<\/span>\u00a0\/ 110 &lsquo;<\/div><\/div><\/div><div class=\"views-field-field-subhead-value\"><span class=\"field-content\">This doc traces the day-by-day anatomy of the student resistance and its main actors to reveal a militant movement of committed and inspired youth.<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-90603dd elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"90603dd\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4a26e9e\" data-id=\"4a26e9e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-25e2cff elementor-widget elementor-widget-image\" data-id=\"25e2cff\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/GrannyPower1.jpg\" class=\"attachment-large size-large wp-image-18486\" alt=\"Still from Granny Power\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/GrannyPower1-334x188.jpg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/GrannyPower1-336x198.jpg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/GrannyPower1-375x371.jpg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/GrannyPower1-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/GrannyPower1-696x392.jpg 696w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/GrannyPower1.jpg 1920w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2aa4fb4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2aa4fb4\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0689cb4\" data-id=\"0689cb4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bc8d752 elementor-widget elementor-widget-text-editor\" data-id=\"bc8d752\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"screenings-details-top screening-padding\"><div class=\"views-field-title\"><span class=\"field-content\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/granny-power\">GRANNY POWER<\/a><\/span><\/div><div class=\"views-field-field-director-reference-nid\"><div class=\"field-content\">MAGNUS ISACSSON \/ CA \/\u00a0<span class=\"date-display-single\">2014<\/span>\u00a0\/ 90 &lsquo;<\/div><\/div><\/div><div class=\"views-field-field-subhead-value\"><span class=\"field-content\">Spanning 10 years, this film follows several passionate, activist grandmothers and their \u201cgaggles\u201d as they fight for peace, social justice and the environment.<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8a384e6 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"8a384e6\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e77ed9a\" data-id=\"e77ed9a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2ccfb88 elementor-widget elementor-widget-image\" data-id=\"2ccfb88\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"639\" height=\"384\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2010\/01\/1495296_729741367045265_1719012801_o.jpeg\" class=\"attachment-large size-large wp-image-20719\" alt=\"Still from the Secret Trial 5\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2010\/01\/1495296_729741367045265_1719012801_o-334x188.jpeg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2010\/01\/1495296_729741367045265_1719012801_o-336x198.jpeg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2010\/01\/1495296_729741367045265_1719012801_o-375x371.jpeg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2010\/01\/1495296_729741367045265_1719012801_o-456x256.jpeg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2010\/01\/1495296_729741367045265_1719012801_o.jpeg 639w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-9cccc13 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"9cccc13\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-79d5bb3\" data-id=\"79d5bb3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0cdf13d elementor-widget elementor-widget-text-editor\" data-id=\"0cdf13d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"screenings-details-top screening-padding\"><div class=\"views-field-title\"><span class=\"field-content\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/secret-trial-5\">SECRET TRIAL 5, THE<\/a><\/span><\/div><div class=\"views-field-field-director-reference-nid\"><div class=\"field-content\">AMAR WALA \/ CA \/\u00a0<span class=\"date-display-single\">2014<\/span>\u00a0\/ 84 &lsquo;<\/div><\/div><\/div><div class=\"views-field-field-subhead-value\"><span class=\"field-content\">How did five men spend nearly 30 years in prison combined without being charged with a crime?<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a698a3a elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a698a3a\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b6b1043\" data-id=\"b6b1043\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3174f64 elementor-widget elementor-widget-image\" data-id=\"3174f64\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/Tunniit1.jpg\" class=\"attachment-large size-large wp-image-10120\" alt=\"Still from Tunniit: Retracing the Lines of Inuit Tattoos\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-d476ab3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"d476ab3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-575b4e2\" data-id=\"575b4e2\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f5728ee elementor-widget elementor-widget-text-editor\" data-id=\"f5728ee\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"screenings-details-top screening-padding\"><div class=\"views-field-title\"><span class=\"field-content\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/tunniit-retracing-lines-inuit-tattoos\">TUNNIIT: RETRACING THE LINES OF INUIT TATTOOS<\/a><\/span><\/div><div class=\"views-field-field-director-reference-nid\"><div class=\"field-content\">ALETHEA ARNAQUQ-BARIL \/ CA \/\u00a0<span class=\"date-display-single\">2011<\/span>\u00a0\/ 50 &lsquo;<\/div><\/div><\/div><div class=\"views-field-field-subhead-value\"><span class=\"field-content\">A young woman is on a journey to revive the ancient Inuit tradition of face tattooing, a tradition that has been forbidden for a century, and almost forgotten.<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-74de6da elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"74de6da\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c74eda8\" data-id=\"c74eda8\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e55986a elementor-widget elementor-widget-image\" data-id=\"e55986a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"450\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/MigrantDreams12.jpg\" class=\"attachment-large size-large wp-image-10443\" alt=\"Still from Migrant Dreams\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-fe32bf1 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"fe32bf1\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-7eb56ea\" data-id=\"7eb56ea\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c5ed008 elementor-widget elementor-widget-text-editor\" data-id=\"c5ed008\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"screenings-details-top screening-padding\"><div class=\"views-field-title\"><span class=\"field-content\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/migrant-dreams\">MIGRANT DREAMS<\/a><\/span><\/div><div class=\"views-field-field-director-reference-nid\"><div class=\"field-content\">MIN SOOK LEE \/ CA \/\u00a0<span class=\"date-display-single\">2016<\/span>\u00a0\/ 88 &lsquo;<\/div><\/div><\/div><div class=\"views-field-field-subhead-value\"><span class=\"field-content\">A powerful documentary that exposes the under-told story of migrant agricultural workers struggling against Canada\u2019s Temporary Foreign Worker Program.<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-cc74fee elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"cc74fee\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-da761fa\" data-id=\"da761fa\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2dccde7 elementor-widget elementor-widget-image\" data-id=\"2dccde7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"426\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2020\/05\/ColonizationRoad2.jpg\" class=\"attachment-large size-large wp-image-11451\" alt=\"Still from Colonization Road\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-2b4a817 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2b4a817\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2e655d0\" data-id=\"2e655d0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0ace2c1 elementor-widget elementor-widget-text-editor\" data-id=\"0ace2c1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"screenings-details-top screening-padding\"><div class=\"views-field-title\"><span class=\"field-content\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/colonization-road\">COLONIZATION ROAD<\/a><\/span><\/div><div class=\"views-field-field-director-reference-nid\"><div class=\"field-content\">MICHELLE ST. JOHN \/ CA \/\u00a0<span class=\"date-display-single\">2016<\/span>\u00a0\/ 47 &lsquo;<\/div><\/div><\/div><div class=\"views-field-field-subhead-value\"><span class=\"field-content\">COLONIZATION ROAD confronts the wreckage of Canadian colonization with radical viewpoints, historical correctives and a dash of humour.<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Launched in 2012, Cinema Politica has teamed up with professional translators and language students to offer French and English versions of single-language films and videos, facilitating greater exposure of and access to art works made in one of Canada&rsquo;s two official languages.<\/p>\n","protected":false},"author":368,"featured_media":20742,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"categories":[1899,1604],"tags":[],"class_list":["post-20744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-initiatives-fr","category-programmation"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - 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