{"id":20770,"date":"2014-01-01T09:00:00","date_gmt":"2014-01-01T14:00:00","guid":{"rendered":"http:\/\/dev.cinemapolitica.org\/?p=20770"},"modified":"2021-06-02T14:00:25","modified_gmt":"2021-06-02T18:00:25","slug":"cp-publishing","status":"publish","type":"post","link":"https:\/\/www.cinemapolitica.org\/fr\/cp-publishing\/","title":{"rendered":"CP Publishing"},"content":{"rendered":"\t\t
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From time to time Cinema Politica publishes pamphlets, booklets, and more recently, a real, physical, bonafide BOOK. We realize that we’re getting into the business at the worst time possible, but hey, we’re also showing films in material social spaces when everyone else seems to be focused on putting it all on the web. We love to go against the grain. And we love print. We love ink on paper so much that in the Spring of 2014 we are publishing the first Cinema Politcia reader, a collection of work by members of our doc-community to mark ten years of screening political documentaries throughout the Cinema Politica Network.The book is called\u00a0Screening Truth to Power: A Reader on Documentary Activism<\/em>, and\u00a0can be purchased right here<\/a>, or comes as a gift when you become a sustainer or make a one-time donation.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ABOUT THE BOOK<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Screening Truth to Power: A Reader on Documentary Activism\u00a0<\/strong><\/em>is is a reflection on ten years of activities of the documentary screening non-profit Cinema Politica. Marking a transformative and inspiring decade of connecting audiences, artists and activists through provocative political film and video, Cinema Politica brings together diverse voices in this collection of essays, interviews, impressions and specially curated \u2018favourite docs\u2019 lists.<\/p>

With analyses from filmmakers and academics like Shannon Walsh and Darrell Varga, and film and media scholars like Thomas Waugh and John Downing, lists of political documentary favourites from Kim Longinotto, John Greyson, Karen Cho and N’gend Mukii, among others, as well as reflections from a host of other docuphiles, doc critics and doc-theorists,\u00a0Screening Truth to Power<\/em>is an eclectic and original contribution to literature on the genre.<\/p>

This collection also reflects the mandate of Cinema Politica to seize upon documentary’s transformational potential in order to advance progressive socio-political and ecological change. As such, the firebrand texts between these covers promises to engage, inspire, and activate.<\/p>

Download the book’s information one-sheet\u00a0here<\/a>.<\/strong><\/p>

Order a copy of Screening Truth to Power: A Reader on Documentary Activism<\/em><\/a>\u00a0by clicking on this link<\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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OOTHER DOWNLOADABLE CP PUBLICATIONS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Cinema Politica has produced five booklets,\u00a0all<\/strong>\u00a0funded by the\u00a0Canada Council for the Arts<\/span><\/a>. Download\u00a0the CP Selections Vol. I PDF\u00a0here<\/span><\/a>, Vol. II\u00a0here<\/span><\/a>, Vol. III\u00a0here<\/a><\/span>,<\/span>\u00a0Vol. IV\u00a0here<\/a><\/span>\u00a0and Vol. V\u00a0here<\/a>.<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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LAUNCHES & FINE INDY BOOK SELLERS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Here are some of the places you can find Screening Truth to Power being flogged by the editors, or, better yet, by some of our committed independent booksellers across the lands:<\/strong><\/em><\/p>

BOOK LAUNCHES<\/h4>

Montreal<\/strong>\u00a0— April 9, Concordia University, more\u00a0here<\/a>.
Toronto<\/strong>\u00a0— April 27, Mark and Siobhan’s
Montreal<\/strong>\u00a0— May 24 & 25, Montreal Anarchist Bookfair, link\u00a0here<\/a>.
Fredericton<\/strong>\u00a0— June 5, Conserver House, more\u00a0here<\/a>.
Halifax<\/strong>\u00a0— June 12, NSCAD University, more\u00a0here<\/a>.
Ottawa<\/strong>\u00a0— Friday August 22nd, People’s Social Forum, more\u00a0here<\/a>.<\/em><\/p>

BOOK SELLERS<\/h4>

Montreal<\/em><\/strong>\u00a0—\u00a0Concordia Community Coop Solidarity Bookstore<\/a>,\u00a0La Boite Noire<\/a>,\u00a0Librairie L’Insoumise<\/a>,\u00a0Drawn and Quarterly<\/a>,\u00a0Argo Bookshop<\/a>.
Toronto<\/strong>\u00a0—\u00a0TIFF Shop<\/a>,\u00a0York University Bookstore<\/a>,\u00a0Bloor Cinema<\/a>
Ottawa<\/strong>\u00a0—\u00a0Octopus Books<\/a>.
<\/em>Halifax<\/em><\/strong>\u00a0\u2013\u00a0Bookmark Bookstore<\/a>.<\/em><\/p>

Do you want to sell our book or invite us for a book launch? We’d love that! To make arrangements send us an email us at:\u00a0bookorders AT cinemapolitica DOT org<\/a>.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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ENDORSEMENTS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u00ab\u00a0This book should be required reading for anyone interested in cinema and social change. The contributions are as diverse and colourful as the film culture they come from, with the authors nonetheless united in their commitment to using film in the struggle for a more democratic, just, and sustainable society. Refreshingly absent of the pro-market, liberal-humanist rhetoric surrounding \u2018socially engaged\u2019 documentary elsewhere, the essays, texts, interviews and unruly lists of film top-tens that comprise this book constitute clear-sighted anti-capitalism in all its multifarious forms. Written and edited by some of the most prominent filmmakers, scholars, programmers and activists today, this practical, theoretically informed, straight-talking handbook is a valuable contribution to committed film culture. Here\u2019s to another ten years of Cinema Politica. Viva!\u00a0\u00bb<\/p>

-Steve Presence, PHD, University of the West of England<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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MEDIA COVERAGE & REVIEWS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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+\u00a0Screening Truth to Power: A Reader on Documentary Activism<\/a>, Art Threat, 7 March 2015.\u00a0
+\u00a0Cinema Politica Tours First Book with Film Screening<\/a>, June 2014.
<\/strong><\/em>+<\/em>\u00a0Hot off the Presses: Getting to know Cinema Politica<\/a>, Montreal Rampage, 3 May 2014.
<\/strong>+ \u00ab\u00a0Screening Truth to Power – A Reader on Documentary Activism<\/a>,\u00a0\u00bb Audio interview with co-editor Ezra Winton by Wojtek Gwiazda, Radio Canada International.
+ \u00ab\u00a0Q&A: Cinema Politica’s Ezra Winton on launching a self-published book<\/a>,\u00a0\u00bb Julie Baldassi,\u00a0Quill & Quire.
+ \u00ab\u00a0It’s Cinema Politica, the book<\/a>,\u00a0\u00bb Kayla Marie Hillier,\u00a0Cult Montreal.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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BOOK CREDITS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Pictured above, left to right at the Montreal book launch: Co-editor Svetla Turnin, contributor John Greyson, contributor and CP Board Member Thomas Waugh, and co-editor Ezra Winton. Image credit: Mimi Zhou.<\/em>
<\/strong>Edited<\/strong>\u00a0by\u00a0Svetla Turnin<\/a>\u00a0and\u00a0Ezra Winton<\/a>\u00a0
Designed<\/strong>\u00a0by\u00a0Kevin Yuen Kit Lo<\/a>\u00a0and Kimberly Tsui
Printed<\/strong>\u00a0by\u00a0KataSoho<\/a>\u00a0in Montreal, Quebec, unceded Mohawk territory<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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TABLE OF CONTENTS<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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009\u00a0Acknowledgements
013\u00a0Illuminating the Crimes of the Powerful, a Foreword\u00a0by\u00a0John Downing<\/a>
017\u00a0Introduction: Encounters with Documentary Activism\u00a0by\u00a0Svetla Turnin and Ezra Winton
029\u00a0Dox Vox Mixtape: How to Make an Anarchist\u2019s List of \u201cBest\u201d \u201cPolitical\u201d Docs\u00a0by \u2028Sean Farnel<\/a>
035\u00a0The Process of Place: Grassroots Documentary Screenings\u00a0by\u00a0Liz Miller<\/a>\u00a0and\u00a0Thomas Waugh<\/a>
045\u00a0Speak for Yourself: The Cultural Politics of Participatory Video\u00a0by\u00a0Shannon Walsh<\/a>
057\u00a0We Aren\u2019t Sorry for This Interruption…\u00a0by\u00a0Steve James<\/a>
061\u00a0Dox Vox Mixtape: Our Favourite Queer Docs\u00a0by\u00a0Shohini Ghosh<\/a>,\u00a0John Greyson<\/a>\u00a0and\u00a0Thomas Waugh\u2028<\/a>
067\u00a0Quels peuvent \u00eatre les impacts sociaux du documentaire ? Parole \u00e0 10 r\u00e9alisatrices et r\u00e9alisateurs\u00a0by\u00a0In\u00eas Lopes<\/a>
\u2028085\u00a0Dox Vox Mixtape: Essentiels films qu\u00e9b\u00e9cois\u00a0\u2028by\u00a0Richard Brouillette\u2028<\/a>
089\u00a0Identity and Resistance: An Interview with Abenaki Filmmaker Alanis Obomsawin\u00a0by\u00a0Ezra Winton\u2028
097\u00a0Dox Vox Mixtape: Aboriginal Politics and Culture on Screen\u00a0by\u00a0Tracey Deer<\/a>\u00a0and\u00a0Tasha Hubbard<\/a>\u2028
105\u00a0A Conceptual Intervention in Vancouver\u2019s Downtown Eastside: An Interview with\u00a0Antoine Bourges\u2028<\/a>\u00a0by\u00a0Ezra Winton\u2028
113\u00a0Dox Vox Mixtape: ArtDox\u00a0\u2028by\u00a0The Hive\u2028
121\u00a0Unforgettable Films, Remarkable People, Outrage and Hope at Cinema Politica Fredericton\u2028\u00a0by\u00a0Tracy Glynn\u2028<\/a>
125\u00a0Dox Vox Mixtape: Latin American Films\u00a0\u2028by\u00a0Elizabeth Miller<\/a>\u00a0and\u00a0Luciana Kaplan<\/a>\u2028
129\u00a0Anarchist Cinema\u00a0\u2028by\u00a0Franklin L\u00f3pez\u2028<\/a>
133\u00a0Dox Vox Mixtape: Anarchist Films\u00a0by\u00a0\u2028Franklin L\u00f3pez\u2028<\/a>
139\u00a0A Democratic Screening Space\u00a0\u2028by\u00a0Stefan Christoff\u2028<\/a>
145\u00a0Capturing a Militant (on Screen): An Interview with Lina Makboul\u00a0by\u00a0Stefan Christoff\u2028<\/a>
157\u00a0Dox Vox Mixtape: Outstanding Feminist Docs\u00a0\u2028by\u00a0Karen Cho<\/a>,\u00a0Pepita Ferrari<\/a>\u00a0and\u00a0Kim Longinotto\u2028<\/a>
163\u00a0A Doc-World in the Making\u00a0by\u00a0Jocelyne Clarke\u2028<\/a>
169\u00a0Documentary Disasters and Screening Serendipity: Ten Memorable Cinema Politica Moments Between 2003 and 2013\u00a0by\u00a0\u2028Matthew Hays<\/a>\u2028
175\u00a0Dox Vox Mixtape: Eco-Docs\u00a0\u2028by\u00a0The Hive\u2028
179\u00a0Grassroots Across Borders\u00a0by\u00a0\u2028Kristen Fitzpatrick\u2028<\/a>
183\u00a0Dox Vox Mixtape: African Docs\u00a0by\u00a0\u2028Ng\u2019endo Mukii\u2028<\/a>
189\u00a0Documentary and Actually Existing Utopias \u2028by\u00a0Darrell Varga\u2028<\/a>
202\u00a0Bios: Contributors, Collaborators & Accomplices\u2028
209\u00a0Illustrations\u2028\u2028
213\u00a0About Cinema Politica<\/strong><\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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