{"id":41202,"date":"2023-06-02T18:08:27","date_gmt":"2023-06-02T22:08:27","guid":{"rendered":"https:\/\/www.cinemapolitica.org\/?p=41202"},"modified":"2024-06-17T16:17:33","modified_gmt":"2024-06-17T20:17:33","slug":"mois-national-histoire-autochtone","status":"publish","type":"post","link":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/","title":{"rendered":"Sept films pour le Mois national de l\u2019histoire autochtone"},"content":{"rendered":"\n<p>Dans le cadre du <strong>Mois national de l&rsquo;histoire autochtone<\/strong>, en juin, nous sommes ravis de mettre en lumi\u00e8re une s\u00e9lection de sept films autochtones et orient\u00e9s vers les autochtones, salu\u00e9s et prim\u00e9s par la critique. La collection de films couvre une multiplicit\u00e9 de perspectives de l&rsquo;\u00eele de la Tortue \u00e0 l&rsquo;int\u00e9rieur des fronti\u00e8res coloniales de ce qu&rsquo;on appelle le \u00ab\u00a0Canada\u00a0\u00bb. Qu&rsquo;il s&rsquo;agisse de la dissonance culturelle que vivent les jeunes Inuks urbains dans <strong><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/the-fifth-region\/\">THE FIFTH REGION<\/a><\/strong>, du thriller n\u00e9o-noir visc\u00e9ralement charg\u00e9 qui fait un commentaire social puissant sur la violence \u00e0 l&rsquo;\u00e9gard des femmes autochtones dans <strong><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/a-red-girls-reasoning\/\">A RED GIRL\u2019S REASONING<\/a><\/strong>, aux luttes acharn\u00e9es pour la protection de l&rsquo;environnement et la reconnaissance des territoires autochtones dans des films comme <strong><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/blockade\/\">BLOCKADE de Nettie Wild<\/a><\/strong>, nous invitons notre public \u00e0 d\u00e9couvrir la r\u00e9silience, les luttes et les victoires des communaut\u00e9s autochtones par le biais du cin\u00e9ma documentaire \u00e0 l&rsquo;occasion du Mois national de l&rsquo;histoire autochtone.<\/p>\n\n\n\n<p>Les films suivants sont disponibles en licence num\u00e9rique pour les r\u00e9servations institutionnelles avec des licences de 5 ou 10 ans. Pour faire une commande, envoyez un courriel \u00e0 <a href=\"&#x6d;&#x61;&#105;&#108;&#116;o&#x3a;&#x62;&#x6f;&#111;&#107;in&#x67;&#x40;&#x63;&#105;&#110;e&#x6d;&#x61;&#x70;&#111;&#108;&#105;t&#x69;&#x63;&#x61;&#46;&#111;rg\">booking [AT] cinemapolitica [DOT] org<\/a> avec votre s\u00e9lection. <\/p>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Films de cin\u00e9astes autochtones<\/h1>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">The Fifth Region<\/h3>\n\n\n\n<p><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Gabriel Nuraki Koperqualuk et Aeyliya Husain \/ 2018 \/ 47&prime; \/ Canada<\/h5>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1061\" height=\"597\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION.jpg\" alt=\"\" class=\"wp-image-41235 size-full\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-150x150.jpg 150w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-214x243.jpg 214w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-280x415.jpg 280w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-300x169.jpg 300w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-334x495.jpg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-336x198.jpg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-356x256.jpg 356w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-375x221.jpg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-454x597.jpg 454w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-696x392.jpg 696w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-768x453.jpg 768w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION-933x550.jpg 933w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-FIFTH-REGION.jpg 1061w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Deux jeunes Inuits \u00e9lev\u00e9s dans le sud du Canada explorent les complexit\u00e9s de l&rsquo;identit\u00e9 et de l&rsquo;appartenance. <\/p>\n\n\n\n<p><a href=\"http:\/\/www.cinemapolitica.org\/film\/the-fifth-region\/\"><sub>\u2197\ufe0e EN SAVOIR PLUS<\/sub><\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>A Red Girl\u2019s Reasoning<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Elle-M\u00e1ij\u00e1 Tailfeathers \/ 2012 \/ 10&prime; \/ Canada<\/h5>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/a-red-girls-reasoning\/\"><img decoding=\"async\" width=\"1061\" height=\"597\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A.jpg\" alt=\"\" class=\"wp-image-41227 size-full\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-150x150.jpg 150w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-214x243.jpg 214w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-280x415.jpg 280w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-300x169.jpg 300w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-334x495.jpg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-336x198.jpg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-356x256.jpg 356w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-375x221.jpg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-454x597.jpg 454w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-696x392.jpg 696w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-768x453.jpg 768w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A-933x550.jpg 933w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-RED-GIRLS-REASONING-A.jpg 1061w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p>Une vigilante d\u00e9cha\u00een\u00e9e cherche \u00e0 se venger dans ce commentaire social sur la violence contre les femmes autochtones. <a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/a-red-girls-reasoning\/\"> <\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/a-red-girls-reasoning\/\"><sub>\u2197\ufe0e EN SAVOIR PLUS<\/sub><\/a><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tunniit: Retracing the Lines of Inuit Tattoos<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Alethea Arnaquq-Baril \/ Canada \/ 2011 \/ 50&prime;<\/h5>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/tunniit-retracing-the-lines-of-inuit-tattoos\/\"><img decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Tunniit-300x169.jpg\" alt=\"Still from TUNNIIT\" class=\"wp-image-41220 size-full\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Tunniit-300x169.jpg 300w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Tunniit-768x432.jpg 768w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Tunniit-696x392.jpg 696w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Tunniit-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Tunniit-334x188.jpg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Tunniit.jpg 1061w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p>Une jeune femme entreprend un voyage pour faire revivre l&rsquo;ancienne tradition inuit du tatouage facial, un art interdit par le gouvernement canadien depuis un si\u00e8cle et presque oubli\u00e9. <\/p>\n\n\n\n<p><sub><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/tunniit-retracing-the-lines-of-inuit-tattoos\/\">\u2197\ufe0e EN SAVOIR PLUS<\/a><\/sub><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:150px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Films explorant des enjeux autochtones<\/h1>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Another Word for Learning<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Jadis Dumas \/ 2019 \/ 73&prime; \/ Canada<\/h5>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/another-word-for-learning\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1061\" height=\"597\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning.jpg\" alt=\"\" class=\"wp-image-41233 size-full\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-150x150.jpg 150w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-214x243.jpg 214w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-280x415.jpg 280w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-300x169.jpg 300w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-334x495.jpg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-336x198.jpg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-356x256.jpg 356w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-375x221.jpg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-454x597.jpg 454w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-696x392.jpg 696w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-768x453.jpg 768w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning-933x550.jpg 933w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-AnotherWordForLearning.jpg 1061w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p>Dans cette histoire inspirante de r\u00e9silience autochtone, de d\u00e9colonisation et de liens familiaux, une jeune fille kwakwaka&rsquo;wakw vivant \u00e0 Vancouver suit son propre chemin vers l&rsquo;\u00e9ducation. <\/p>\n\n\n\n<p><sub><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/re-apprendre\/\">\u2197\ufe0e EN SAVOIR PLUS<\/a><\/sub><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Upstream: Stewards of the Land<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">2017 \/ 39m \/ Canada<\/h5>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/upstream-the-stewards-of-the-land\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1061\" height=\"597\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1.jpg\" alt=\"Film Still from the doc UPSTREAM - STEWARDS OF THE LAND\" class=\"wp-image-41205 size-full\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-150x150.jpg 150w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-214x243.jpg 214w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-280x415.jpg 280w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-300x169.jpg 300w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-334x495.jpg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-336x198.jpg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-356x256.jpg 356w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-375x221.jpg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-454x597.jpg 454w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-696x392.jpg 696w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-768x453.jpg 768w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1-933x550.jpg 933w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-1.jpg 1061w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p>Sur pr\u00e8s de 1 000 km d&rsquo;un projet de gazoduc, les populations autochtones et les colons s&rsquo;opposent au d\u00e9veloppement et trouvent de nouveaux moyens de lutter pour la terre et l&rsquo;avenir. <\/p>\n\n\n\n<p><sub><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/upstream-the-stewards-of-the-land\/\">\u2197\ufe0e EN SAVOIR PLUS<\/a><\/sub><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Caretakers<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">David Goldberg \/ 2017 \/ 39&prime; \/ Canada<\/h5>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/the-caretakers\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1061\" height=\"597\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2.jpg\" alt=\"\" class=\"wp-image-41225 size-full\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-150x150.jpg 150w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-214x243.jpg 214w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-280x415.jpg 280w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-300x169.jpg 300w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-334x495.jpg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-336x198.jpg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-356x256.jpg 356w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-375x221.jpg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-454x597.jpg 454w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-696x392.jpg 696w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-768x453.jpg 768w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2-933x550.jpg 933w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-CaretakersThe-2.jpg 1061w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p>Un regard int\u00e9rieur sur les d\u00e9fenseurs autochtones de la terre et de l&rsquo;eau ainsi que sur la solidarit\u00e9 blanche, face \u00e0 la complicit\u00e9 de la police avec l&rsquo;industrie des combustibles fossiles. <\/p>\n\n\n\n<p><sub><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/the-caretakers\/\">\u2197\ufe0e EN SAVOIR PLUS<\/a><\/sub><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Blockade<\/strong><\/h3>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<h5 class=\"wp-block-heading\">Nettie Wild \/ 1994 \/ 90&prime; \/ Canada<\/h5>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.cinemapolitica.org\/film\/blockade\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1061\" height=\"597\" src=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade.jpg\" alt=\"Still from BLOCKADE by Nettie Wild\" class=\"wp-image-41216 size-full\" srcset=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-150x150.jpg 150w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-214x243.jpg 214w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-280x415.jpg 280w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-300x169.jpg 300w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-334x495.jpg 334w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-336x198.jpg 336w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-356x256.jpg 356w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-375x221.jpg 375w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-454x597.jpg 454w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-456x256.jpg 456w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-696x392.jpg 696w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-768x453.jpg 768w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade-933x550.jpg 933w, https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/STILL-Blockade.jpg 1061w\" sizes=\"(min-width:1680px) 100vw, (max-width:768px) 100vw, (max-width:530px) 100vw, 100vw\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p>Une description brutalement honn\u00eate des tensions qui existaient au milieu des ann\u00e9es 90 entre la nation Gitxan et les colons blancs dans les montagnes et les vall\u00e9es de la Colombie-Britannique. <\/p>\n\n\n\n<p><sub><a href=\"https:\/\/www.cinemapolitica.org\/fr\/film\/blockade\/\">\u2197\ufe0e EN SAVOIR PLUS<\/a><\/sub><\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Dans le cadre du Mois national de l&rsquo;histoire autochtone, en juin, nous sommes ravis de mettre en lumi\u00e8re une s\u00e9lection de sept films autochtones et orient\u00e9s vers les autochtones, salu\u00e9s et prim\u00e9s par la critique.<\/p>\n","protected":false},"author":315,"featured_media":41426,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_oasis_is_in_workflow":0,"_oasis_original":0,"ep_exclude_from_search":false,"footnotes":""},"categories":[1576,1586,1620],"tags":[1756],"class_list":["post-41202","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-distribution-fr","category-evenements-speciaux","category-prix","tag-cinema-politica-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sept films pour le Mois national de l\u2019histoire autochtone - Cinema Politica<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sept films pour le Mois national de l\u2019histoire autochtone - Cinema Politica\" \/>\n<meta property=\"og:description\" content=\"Dans le cadre du Mois national de l&#039;histoire autochtone, en juin, nous sommes ravis de mettre en lumi\u00e8re une s\u00e9lection de sept films autochtones et orient\u00e9s vers les autochtones, salu\u00e9s et prim\u00e9s par la critique.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/\" \/>\n<meta property=\"og:site_name\" content=\"Cinema Politica\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemapolitica\" \/>\n<meta property=\"article:published_time\" content=\"2023-06-02T22:08:27+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-06-17T20:17:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Cinema Politica Distribution\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:site\" content=\"@CinemaPolitica\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Cinema Politica Distribution\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/\"},\"author\":{\"name\":\"Cinema Politica Distribution\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/person\/e94d95aa1060b5bff2bb786ed4e5207a\"},\"headline\":\"Sept films pour le Mois national de l\u2019histoire autochtone\",\"datePublished\":\"2023-06-02T22:08:27+00:00\",\"dateModified\":\"2024-06-17T20:17:33+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/\"},\"wordCount\":502,\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg\",\"keywords\":[\"CINEMA POLITICA\"],\"articleSection\":[\"Distribution\",\"evenements speciaux\",\"Festivals, prix et r\u00e9compenses\"],\"inLanguage\":\"fr-CA\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/\",\"name\":\"Sept films pour le Mois national de l\u2019histoire autochtone - Cinema Politica\",\"isPartOf\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg\",\"datePublished\":\"2023-06-02T22:08:27+00:00\",\"dateModified\":\"2024-06-17T20:17:33+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#breadcrumb\"},\"inLanguage\":\"fr-CA\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#primaryimage\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg\",\"width\":4000,\"height\":3000,\"caption\":\"UPSTREAM - STEWARDS OF THE LAND \/ Paola Ros\u00e0 & Antonio Senter \/ 2017 \/ 44m \/ Canada\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.cinemapolitica.org\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sept films pour le Mois national de l\u2019histoire autochtone\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#website\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"name\":\"Cinema Politica\",\"description\":\"Screening Truth to Power\",\"publisher\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-CA\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#organization\",\"name\":\"Cinema Politica\",\"url\":\"https:\/\/www.cinemapolitica.org\/fr\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-CA\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"contentUrl\":\"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg\",\"width\":639,\"height\":385,\"caption\":\"Cinema Politica\"},\"image\":{\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/cinemapolitica\",\"https:\/\/x.com\/CinemaPolitica\",\"https:\/\/www.instagram.com\/cinema.politica\/\",\"https:\/\/www.youtube.com\/user\/CinemaPolitica\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/person\/e94d95aa1060b5bff2bb786ed4e5207a\",\"name\":\"Cinema Politica Distribution\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sept films pour le Mois national de l\u2019histoire autochtone - Cinema Politica","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/","og_locale":"fr_CA","og_type":"article","og_title":"Sept films pour le Mois national de l\u2019histoire autochtone - Cinema Politica","og_description":"Dans le cadre du Mois national de l'histoire autochtone, en juin, nous sommes ravis de mettre en lumi\u00e8re une s\u00e9lection de sept films autochtones et orient\u00e9s vers les autochtones, salu\u00e9s et prim\u00e9s par la critique.","og_url":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/","og_site_name":"Cinema Politica","article_publisher":"https:\/\/www.facebook.com\/cinemapolitica","article_published_time":"2023-06-02T22:08:27+00:00","article_modified_time":"2024-06-17T20:17:33+00:00","og_image":[{"url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg","width":800,"height":600,"type":"image\/jpeg"}],"author":"Cinema Politica Distribution","twitter_card":"summary_large_image","twitter_creator":"@CinemaPolitica","twitter_site":"@CinemaPolitica","twitter_misc":{"\u00c9crit par":"Cinema Politica Distribution","Estimation du temps de lecture":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#article","isPartOf":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/"},"author":{"name":"Cinema Politica Distribution","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/person\/e94d95aa1060b5bff2bb786ed4e5207a"},"headline":"Sept films pour le Mois national de l\u2019histoire autochtone","datePublished":"2023-06-02T22:08:27+00:00","dateModified":"2024-06-17T20:17:33+00:00","mainEntityOfPage":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/"},"wordCount":502,"publisher":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg","keywords":["CINEMA POLITICA"],"articleSection":["Distribution","evenements speciaux","Festivals, prix et r\u00e9compenses"],"inLanguage":"fr-CA"},{"@type":"WebPage","@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/","url":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/","name":"Sept films pour le Mois national de l\u2019histoire autochtone - Cinema Politica","isPartOf":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#primaryimage"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#primaryimage"},"thumbnailUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg","datePublished":"2023-06-02T22:08:27+00:00","dateModified":"2024-06-17T20:17:33+00:00","breadcrumb":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#breadcrumb"},"inLanguage":"fr-CA","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/"]}]},{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#primaryimage","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2023\/06\/upstream-Peace-River-2.jpg","width":4000,"height":3000,"caption":"UPSTREAM - STEWARDS OF THE LAND \/ Paola Ros\u00e0 & Antonio Senter \/ 2017 \/ 44m \/ Canada"},{"@type":"BreadcrumbList","@id":"https:\/\/www.cinemapolitica.org\/fr\/mois-national-histoire-autochtone\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.cinemapolitica.org\/fr\/"},{"@type":"ListItem","position":2,"name":"Sept films pour le Mois national de l\u2019histoire autochtone"}]},{"@type":"WebSite","@id":"https:\/\/www.cinemapolitica.org\/fr\/#website","url":"https:\/\/www.cinemapolitica.org\/fr\/","name":"Cinema Politica","description":"Screening Truth to Power","publisher":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.cinemapolitica.org\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-CA"},{"@type":"Organization","@id":"https:\/\/www.cinemapolitica.org\/fr\/#organization","name":"Cinema Politica","url":"https:\/\/www.cinemapolitica.org\/fr\/","logo":{"@type":"ImageObject","inLanguage":"fr-CA","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/","url":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","contentUrl":"https:\/\/www.cinemapolitica.org\/wp-content\/uploads\/2021\/05\/cp_web_image.jpeg","width":639,"height":385,"caption":"Cinema Politica"},"image":{"@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/cinemapolitica","https:\/\/x.com\/CinemaPolitica","https:\/\/www.instagram.com\/cinema.politica\/","https:\/\/www.youtube.com\/user\/CinemaPolitica"]},{"@type":"Person","@id":"https:\/\/www.cinemapolitica.org\/fr\/#\/schema\/person\/e94d95aa1060b5bff2bb786ed4e5207a","name":"Cinema Politica Distribution"}]}},"_links":{"self":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/posts\/41202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/users\/315"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/comments?post=41202"}],"version-history":[{"count":3,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/posts\/41202\/revisions"}],"predecessor-version":[{"id":41434,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/posts\/41202\/revisions\/41434"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media\/41426"}],"wp:attachment":[{"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/media?parent=41202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/categories?post=41202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cinemapolitica.org\/fr\/wp-json\/wp\/v2\/tags?post=41202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}