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// Films // Call me Kuchu

Call me Kuchu

Katherine Fairfax Wright & Malika Zouhali-Worrall / United States - Uganda / 2012 / 87 ' / English

Credits

Katherine Fairfax Wright
Katherine Fairfax Wright & Malika Zouhali-Worral
Katherine Fairfax Wright
Jon Mandabach
Malika Zouhali-Worral

Awards & Festivals

Official Selection: African Film Festival of Verona, Italy, 2012
Official Selection: Århus Film Festival, Denmark, 2012
Official Selection: WatchDocs Film Festival, Warsaw, Poland, 2012
Official Selection: Human Rights Watch Film Festival, Nairobi, Kenya, 2012
Official Selection: Mezipatra Queer Film Festival, Prague, Czech Republic, 2012
Official Selection: Homotopia Festival – Picturehouse At Fact, Liverpool, UK, 2012
Official Selection: Philadelphia Film Festival, USA, 2012
Official Selection: Ottawa LGBT Film Festival, Ottawa, Canada, 2012
Official Selection: Pink Screens Queer Film Festival, Brussels, Belgium, 2012
Official Selection: Paris Lesbian & Feminist Film Festival, Paris, France, 2012
Official Selection: LesGaiCineMad, Madrid’s International Gay and Lesbian Film Festival, Madrid, Spain, 2012
Official Selection: Side by Side LGBT International Film Festival, St. Petersburg, Russia, 2012
Official Selection: Outrageous: Santa Barbara LGBTQ Film Festival, Santa Barbara, CA, 2012
Official Selection: Milwaukee LGBT Film/Video Festival, USA, 2012
Official Selection: Austin Gay and Lesbian Film Festival, Austin, Texas, 2012
Official Selection: Fort Lauderdale Gay & Lesbian Film Festival, Florida, 2012
Official Selection: Vancouver International Film Festival (VIFF), Canada, 2012
Official Selection: Tri Continental Human Rights Film Festival, Johannesburg/Tshwane/Pretoria, 2012
Screening: The First Official Ugandan LGBT Pride, Kampala, Uganda, 2012
Official Selection: Rio Film Festival/Festival do Rio, Rio de Janeiro, Brazil, 2012

Upcoming Screenings

Stay tuned for upcoming screenings!

In Production

A powerful look at the courageous LGBTQ activists in Uganda, including murdered activist David Kato.

Synopsis

In an unmarked office at the end of a dirt track, veteran activist David Kato labors to repeal Uganda’s homophobic laws and liberate his fellow lesbian, gay, bisexual and transgender men and women, or “kuchus.” But David’s formidable task just became much more difficult. A new “Anti-Homosexuality Bill” proposes death for HIV-positive gay men, and prison for anyone who fails to turn in a known homosexual. Inspired by American evangelicals who have christened Uganda ground zero in their war on the “homosexual agenda,” the Bill awaits debate in Uganda’s Parliament. Meanwhile, local newspapers have begun outing kuchus with vicious fervor under headlines such as: “HOMO TERROR! We Name and Shame Top Gays in the City.”

David, Uganda’s first openly gay man, is one of the few who dare to publicly protest state-sanctioned homophobia. Working with an idiosyncratic clan of fellow activists, David fights Uganda’s government and tabloids in the courts, on television, and at the United Nations. Because, he insists, “if we keep on hiding, they will say we’re not here.”

David, Uganda’s first openly gay man, is one of the few who dare to publicly protest state-sanctioned homophobia. Working with an idiosyncratic clan of fellow activists, David fights Uganda’s government and tabloids in the courts, on television, and at the United Nations. Because, he insists, “if we keep on hiding, they will say we’re not here.”

But one year into filming CALL ME KUCHU and just three weeks after a landmark legal victory, on January 26, 2011, the unthinkable happens: David is brutally murdered in his home. His death sends shock waves around the world, and leaves Kampala’s kuchus traumatized and seeking answers for a way forward.

With unprecedented access, CALL ME KUCHU depicts the last year in the life of a courageous, quick-witted and steadfast man whose wisdom and achievements were not fully recognized until after his death. While heartbreaking, the documentary traces a narrative that takes the viewer beyond the chronicle of victimization depicted in international news media: it tells the nuanced story of David and Kampala’s kuchus as they work to change their fate, and that of other kuchus across Africa.

A story told in his words, David Kato’s final testimony lives on in this film, while his work is continued by the fellow activists he left behind.


 

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