A crowd of people holding protest signs during a Toronto demonstration featured in A Letter to My Tribe, a film exploring solidarity and resistance.
A still from A Letter to My Tribe, capturing a moment of protest and collective action in Toronto — a visual essay on belonging, justice, and dissent.
 

Letter to My Tribe

by b.h. Yael
b.h. Yael offers an intimate essay film that reflects on the colonization of Palestine and her family’s story, combining archival images with diary narration.
2024  ·  1h38m  ·  Canada
Arabic, Hebrew
English subs
About the Film

Letter to My Tribe started with a question: Why don’t more Jews and Israelis speak out about Palestine? Over many years my mother, who represents a more messianic perspective, and I have had numerous arguments, some recorded, some not. These form the backbone of this video essay in which Israelis and Jews, journalists, activists and a rabbi are interviewed, and in which documentation of actions on the ground, in the West Bank, are woven with more personal family histories and journeys to Iraq and to Poland.

Upcoming Screenings

Stay tuned for upcoming screenings!

Festivals and Awards
Director
b.h. Yael
Editor
Dennis Day
Music
David Wall
Sound Design and Mix
Scott Purdy
Voice over recordings
Phil Strong, David Wall
Camera & Sound
b.h. Yael
Additional Camera
Natasha Dudinski
Admin & Promotion Assistance
Kat Kleine
About the Director

b.h. Yael

b.h. Yael is a Toronto based filmmaker, video and installation artist. She is Professor of Integrated Media at OCAD University and past Assistant Dean and past Chair of Integrated Media in the Faculty of Art.

Yael is the recent recipient of a Chalmers Fellowship Award and a Toronto Arts Council grant to media artists. Her most recent work, Trading the Future recently won the ‘Audience Award’ at the Ecofilms 2009 festival in Rhodes, Greece, and has also received the ‘Best Humanitarian Observation – Media Matters’ award at the Rivers Edge International Film Festival in Kentucky, USA. Trading the Future is a video essay that questions the inevitability of apocalypse and its repercussions on environmental urgencies.

Yael’s work has exhibited nationally and internationally and has shown in various settings, from festivals to galleries to various educational venues. Her work has been purchased by several universities. Yael’s past film and video work has dealt with issues of identity, authority and family structures, while at the same time addressing the fragmentary nature of memory and belonging. More recent work focuses on activist initiatives, political fear, apocalypse and gender. The work most often involves non-linear and hybrid forms, including dramatized and fictional elements combined with first person narration, autobiographical and documentary perspectives.

 
Other films by b.h. Yael

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