Māori-Made Collection

still from mauri

In collaboration with the New Zealand Film Commission, we are bringing you six previously unavailable Aotearoa gems by revered directors to stream or book for your institution.

The Archivettes

“Our history was disappearing as quickly as we were making it. ” With that realization, Deborah Edel and Joan Nestle co-founded the Lesbian Herstory Archives, the world’s largest collection of materials by and about lesbians. For more than 40 years, through many of the major milestones in LGBTQIA+ history, the all-volunteer organization has literally rescued […]

Inside Lara Roxx

Still from Inside Lara Roxx

In the spring of 2004, 21-year old Lara Roxx left her hometown of Montreal and headed to L.A to try to make tons of cash in the adult entertainment industry. Within two months of working in this industry she contracted the most virulent form of HIV while performing sex in front of the camera. Inside […]

Health Factory

Still from health factory

Governments apply models taken from business corporations in order to improve our health care systems. The goal is to get more health for the money spent, based on the presumption that private corporations are more efficient and less wasteful than public bodies. After the Second World War governments across Europe and around the world – […]

My Brooklyn

Still from My Brooklyn

MY BROOKLYN is a documentary about Director Kelly Anderson’s personal journey, as a Brooklyn “gentrifier,” to understand the forces reshaping her neighborhood along lines of race and class. The story begins when Anderson moves to Brooklyn in 1988, lured by cheap rents and bohemian culture. By Michael Bloomberg’s election as mayor in 2001, a massive […]

Mohawk Girls

Still from Mohawk Girls

The massive Mercier Bridge looms over the eastern end of the Kahnawake Native reserve carrying commuters into the city of Montreal. For Amy, Lauren and Felicia, three Mohawk teens living in its shadow, the bridge also serves as a constant reminder of the bustling world just beyond the borders of their tiny community. Like typical […]

CODED BIAS discussion with Shalini Kantayya

Still from Coded Bias

Cinema Politica Concordia co-hosted a discussion with CODED BIAS director Shalini Kantayya about racial and gender discrimination that is coded into algorithmic technology …

Metamorphosis

Still from Metamorphosis

METAMORPHOSIS captures the true scale of the global environmental crisis. Forest fires consume communities, species vanish, and entire ecosystems collapse. Economic growth, tied to increased speed of resource extraction, has created a machine with the capacity to destroy all life. But this crisis is also an opportunity for transformation. Through a tidal flow of stunning […]

Two Worlds Colliding

Still from Two Worlds Colliding

This documentary chronicles the story of Darrell Night, a Native man who was dumped by two police officers in a barren field on the outskirts of Saskatoon in January 2000, during -20° C temperatures. He found shelter at a nearby power station and survived the ordeal, but he was stunned to hear that the frozen […]

Unknown

Still from Unknown

On September 5, 2008, Maisy Odjick and Shannon Alexander, two young women from the Uanishnabe community of Kitigan Zibi, disappeared. The media did not cover the event, even while this situation has become alarmingly common in communities.

When We Walk: Living with Disability in the Time of COVID

dune frank herbert

WHEN WE WALK documents a devoted father and filmmaker with an indestructible drive to keep the cameras rolling no matter what and to show his son what it means to never give up. Filmmaker Jason DaSilva has been living with a severe form of multiple sclerosis for over 10 years. In his wheelchair, Jason begins […]

The Take

Still from The Take

“…a story of every-day heroism, that also offers a model for productive change by repositioning the people as the power-brokers…” – THE VANCOUVER SUN “Lewis and Klein have done something extraordinary…The workers in THE TAKE are so admirable, displaying a melancholy eloquence and a genuine revolutionary spirit.” – THE NEW YORKER THE TAKE opens in […]