On Demand

Lessons for Polygamists

by b.h. Yael
A playful animation exploring the family dynamics of a polygamous household through the eyes of an adolescent girl.
2017  ·  15m  ·  Canada
English
French subs
About the Film

Employing animation and collage, LESSONS FOR POLYGAMISTS takes place inside the diary of an adolescent girl growing up in a polygamous household. She lists the lessons she would convey to Dad, if only she could.

Every teenager knows better than the adults in their lives. LESSONS FOR POLYGAMISTS reflects the righteous voice of adolescence as the young narrator attempts to make sense of her family dynamics, and more so her Dad’s behaviour. LESSONS FOR POLYGAMISTS is b.h. Yael’s story of growing up in a polygamous family. Through animated playfulness the images are drawn from family photographs and documentation and the stories extend the lessons to a wider audience. 

Upcoming Screenings

Stay tuned for upcoming screenings!

About the Director

b.h. Yael

b.h. Yael is a Toronto based filmmaker, video and installation artist. She is Professor of Integrated Media at OCAD University and past Assistant Dean and past Chair of Integrated Media in the Faculty of Art.

Yael is the recent recipient of a Chalmers Fellowship Award and a Toronto Arts Council grant to media artists. Her most recent work, Trading the Future recently won the ‘Audience Award’ at the Ecofilms 2009 festival in Rhodes, Greece, and has also received the ‘Best Humanitarian Observation – Media Matters’ award at the Rivers Edge International Film Festival in Kentucky, USA. Trading the Future is a video essay that questions the inevitability of apocalypse and its repercussions on environmental urgencies.

Yael’s work has exhibited nationally and internationally and has shown in various settings, from festivals to galleries to various educational venues. Her work has been purchased by several universities. Yael’s past film and video work has dealt with issues of identity, authority and family structures, while at the same time addressing the fragmentary nature of memory and belonging. More recent work focuses on activist initiatives, political fear, apocalypse and gender. The work most often involves non-linear and hybrid forms, including dramatized and fictional elements combined with first person narration, autobiographical and documentary perspectives.

 
Other films by b.h. Yael

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