On Demand

The Kalasha and the Crescent

by Iara Lee
Can Kalash traditions withstand the challenges brought by globalization and religious tensions in Pakistan's Chitral Valley?
2013  ·  12m  ·  Pakistan, United States
English, Urdu
About the Film

Rumoured to be the descendants of Alexander the Great, the Kalash people have in fact inhabited northern Pakistan’s Chitral Valley long before the legendary conqueror came to the region. They uphold a rich cultural heritage with polytheistic beliefs, seasonal festivals, and a variety of other traditions that are at odds with Pakistan’s dominant Islam.

Today, even as the majestic peaks of the Hindu Kush mountains shield the Kalasha from the region’s worst violence, their culture faces a variety of pressures: poverty, the encroachment of tourism and capitalism, and religious extremism are all contributing to the erosion of Kalash identity. THE KALASHA AND THE CRESCENT portrays this resilience and shows how a dedicated group of Kalash advocates are fighting to keep their culture alive.

In May 2013, director Iara Lee traveled to the Chitral Valley to document the Kalash spring festival, Joshi. THE KALASHA AND THE CRESCENT uses the festival as an entry point into this vibrant community and the tough questions facing it. What does conversion to Islam—whether forced or spontaneous—mean for Kalash identity? Can Kalash traditions withstand the challenges brought by globalization on the one hand, and by religious tensions on the other?

Upcoming Screenings

Stay tuned for upcoming screenings!

About the Director

Iara Lee

Portrait of Iara Lee
Portrait of Iara Lee

Iara Lee, a Brazilian of Korean descent, is an activist, filmmaker, and founder of the Caipirinha Foundation, which supports projects to secure peace with justice. Iara is currently working on a variety of initiatives, grouped under the umbrella of CULTURES OF RESISTANCE, an activist network that brings together artists and changemakers from around the world. As an activist, Iara has collaborated with numerous grassroots efforts, including the International Campaign to Ban Cluster Munitions, the Conflict Zone FilmFund, and the New York Philharmonic’s groundbreaking 2008 concert in NorthKorea. From 1984 to 1989 Iara was the producer of the Sao Paulo International Film Festival. In 1989 she moved to New York City, where she founded the mixed-media company Caipirinha Productions to explore the synergy of different art forms (such as film, music, architecture, and poetry). Under the banner of Caipirinha Productions, Iara has directed short and feature-length documentaries including SYNTHETIC PLEASURES, MODULATIONS, ARCHITETTURA and BENEATH THE BORQA. She has also organized lectures, photo exhibits, and fundraising events related to these initiatives. Iara Lee is a member of the President’s Council of The International Crisis Group(ICG) and the Council of Advisors of the National Geographic Society, as well as a trustee to the Pyongyang University of Science and Technology (PUST), North Korea’s first and only university whose faculty will be entirely composed of international professors.

 

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