On Demand

Deir Yassin Remembered

by b.h. Yael
DEIR YASSIN REMEMBERED considers the repercussions of a largely forgotten massacre of almost 100 Palestinians in 1948.
2006  ·  28m  ·  Canada, Palestinian Territory
Arabic, English, Hebrew
About the Film

DEIR YASSIN REMEMBERED considers the repercussions of a largely forgotten massacre of almost 100 Palestinians in 1948. The massacre at Deir Yassin was pivotal to Palestinian dispossession. Though Deir Yassin has been partially acknowledged by Israelis, many other massacres of the time have not. The video not only gives an account of what happened at Deir Yassin, but also argues for the need for acknowledgement and commemoration.

Palestine Trilogy

DEIR YASSIN REMEMBERED is one of three videos in a series titled Palestine Trilogy (EVEN IN THE DESERT; A HOT SANDFILLED WIND; DEIR YASSIN REMEMBERED) that present Palestinian, Israeli and international activists who work together in various groups and projects that attempt to address the historic and contemporary repercussions of Israel’s occupation and colonization of land. 

Upcoming Screenings

Stay tuned for upcoming screenings!

Film Related
About the Director

b.h. Yael

b.h. Yael is a Toronto based filmmaker, video and installation artist. She is Professor of Integrated Media at OCAD University and past Assistant Dean and past Chair of Integrated Media in the Faculty of Art.

Yael is the recent recipient of a Chalmers Fellowship Award and a Toronto Arts Council grant to media artists. Her most recent work, Trading the Future recently won the ‘Audience Award’ at the Ecofilms 2009 festival in Rhodes, Greece, and has also received the ‘Best Humanitarian Observation – Media Matters’ award at the Rivers Edge International Film Festival in Kentucky, USA. Trading the Future is a video essay that questions the inevitability of apocalypse and its repercussions on environmental urgencies.

Yael’s work has exhibited nationally and internationally and has shown in various settings, from festivals to galleries to various educational venues. Her work has been purchased by several universities. Yael’s past film and video work has dealt with issues of identity, authority and family structures, while at the same time addressing the fragmentary nature of memory and belonging. More recent work focuses on activist initiatives, political fear, apocalypse and gender. The work most often involves non-linear and hybrid forms, including dramatized and fictional elements combined with first person narration, autobiographical and documentary perspectives.

 
Other films by b.h. Yael

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