Derek May · 1991 · 53m
Artist Krzysztof Wodiczko, a Polish refugee living in New York, has taken his art out of museums and projected it on walls.
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Artist Krzysztof Wodiczko, a Polish refugee living in New York, has taken his art out of museums and projected it on walls.
On Demand
Three young Māori activists move into Berlin to retrieve ancestral carvings which were stolen a century earlier. Are they heroes or terrorists?
Four down-on-their-luck characters surrounded by the vestiges of conspicuous consumption struggle to survive outside of society.
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A visionary boy leads five men from the 14th Century into a 20th Century city. Their quest: to save their village before sunrise.
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MAURI explores cultural tensions, identity, and a changing way of life in an East Coast town affected by European settlement.

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On Demand
a remarkable behind-the-frontlines look at the aftermath of the anti-Marcos “Yellow Revolution” that brought Corazon Aquino to power in the Philippines in 1986.
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In a remote coastal town, an Australian doctor becomes deeply and unexpectedly involved in the struggle of a Māori community fighting industrialist powers.

Traces the political career of T.C. (Tommy) Douglas, former premier of Saskatchewan and leader of the New Democratic Party of Canada
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In 1864, George Pullman began selling his famous railroad sleeping cars which helped him build a vast industrial empire that was supposed to last forever.
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Gaylene Preston goes behind the scenes of New Zealand's first epic feature, the 1983 film UTU about the colonial British massacre of a Māori village in the 1870s.
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The true, moving story of how an 84-year-old Maori woman struggles to care for her handicapped 40-year-old son.

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On Demand
The gritty realities of a seven-week strike at a small Indiana chain factory during 1973-74.

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UE/Wells follows an organizing drive by the United Electrical Workers Union at the Wells Foundry in Chicago.
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Not just a colorful record of the making of a mural in Chicago's Pilsen community by Ray Patlan, this film traces the mural movement of the mid-1970s back to murals in Mexico.
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Chicagoans from all walks of life answer the question: who gets hurt and who profits from racism?